Documentation

Pages

Fondation Constant

De wereld van Constant kent in zijn zorgen geen grenzen

1995

Review in Volkskrant by Willem Ellenbroek on the occasion of the exhibition Paintings 1948-1995 at SMA and Aquarellen 1975-1995 and New Babylon 1959-1969 in the Gemeentemuseum, The Hague.
December 7, 1995

Fondation Constant

Beeldende kunst

1995

Article by Cees Straus in Trouw on the occasion of the exhibition Paintings 1948-1995 at SMA and Aquarellen 1975-1995 and New Babylon 1959-1969 in the Gemeentemuseum, The Hague.

Het begin van een schilderij is toeval

1995

Article by Betty van Garrel in NRC on the occasion of the exhibition Paintings 1948-1995 at SMA and Aquarellen 1975-1995 and New Babylon 1959-1969 in the Gemeentemuseum, The Hague.

Constant Nieuwenhuys-Symbolische kaart New Babylon, 1969

New Babylon of de antinomieën van de utopie

1995

Article in OASE 43 by Hilde Heynen. 

Künstler | Constant, 1992

Künstler | Kritische Lexikon der Gegenwartskunst

1992

Edition 20, 1992. The magazine is published four times a year.

Experimentelen in de Bijenkorf

Experimentelen in de Bijenkorf

1988

Article about an exhibition of the Experimentele Groep Holland in de Bijenkorf in 1949 by Graham Birtwistle in Jong Holland nr. 5, 1988.

Utrecht toont de nieuwe Constants, 1985

Utrecht toont de nieuwe Constants

1985

Interview with Constant in the run-up to the exhibition Constant | Werk uit de periode 1975-1985 in Centraal Museum Utrecht.

Constant Nieuwenhuys, Après nous la liberté, 1949

Een Constant voor de Tate Galerie

1984

Short notification in Kunstecho's about the Tate Gallery's acquisition of the work, Après Nou La Liberté, 1949.

Constant Nieuwenhuys-Entrée du labyrinthe, 1972

Driemaal Constant

1978

Article by Mathilde Visser on three exhibitions with Constant's work in Amsterdam in 1978: Aquarellen en tekeningen at Galerie d'Art, Schilderijen 1969-77 at Stedelijk Museum and Constant | Grafiek at Printshop Piet Clement.

Septentrion, 1975

Le groupe cobra à paris

1975

Article by Erik Slagter on the Cobra group in the quarterly magazine, Septentrion, 1/1975. Septentrion represents a view of the literary, cultural and social life in Flanders and the Netherlands. Also it pays attention to the relations between the French speaking and Dutch speaking world since 1972.

Pages