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Constant Nieuwenhuys-Le Piège, 2003-2005
photo: Tom Haartsen

Le piège

2005
170.0cm x 167.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed Constant 2004, bottom right in red oil paint.
Constants last work. He signed the work in 2004 and then started working on it again. In the documentary Constant, avant le départ he says when he visits his studio for the last time: A last look at my last painting. I'm finished with this painting. The next person working on this will be the restorer.
Dutch: Een laatste blik op mijn laatste schilderij. Ik hoef hier niets meer aan te doen. De volgende hand is van de restaurator.

Constant Nieuwenhuys-Le dernier rêve, 2003
photo: Tom Haartsen

Le dernier rêve

2003
83.0cm x 80.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant 2003, lower left in turquoise oil paint.
A friend on her deathbed.

Constant Nieuwenhuys-Les Baigneurs, 2002
photo: Tom Haartsen

Les baigneurs

2002
163.0cm x 170.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant 2001-02, lower right from center in blue oil paint.
Inspired by the Mediterranean in Antibes, south of France.

Constant Nieuwenhuys-Trudy aux Briottières, 2002
photo: Tom Haartsen

Trudy aux Briottières

2002
159.0cm x 64.0cm
linen, oil paint
Collection Fondation Constant

Signed and dated Constant 2000-2002, upper left in grey/black oil paint.

Constant Nieuwenhuys-Les enfants perdus, 2000
photo: Tom Haartsen

Les enfants perdus

2000
130.0cm x 97.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant 2000, lower left in grey oil paint.

Constant Nieuwenhuys-Le baiser, 1999
photo: Tom Haartsen

Le baiser II

1999
100.0cm x 92.0cm
linen, oil paint
Collection Fondation Constant

Signed and dated Constant '99, vertically lower right in magenta oil paint.

Constant Nieuwenhuys-Les Expulsés, 1999
photo: Tom Haartsen

Les expulsés

1999
149.0cm x 143.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant '99, upper right on the horizon in sand coloured oil paint on yellow fond.
Inspired by the events in Kosovo.

Constant Nieuwenhuys-Die krähe, 1998
photo: Tom Haartsen

Die Krähe

1998
90.0cm x 95.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant '98, lower left in purple oil paint on purple fond.
The Crow is one of the 24 songs from Winterreise by Franz Schubert. It's a tribute to the poet Wilhelm Müller on whose poems Winterreise is based. On the back of the painting is says gewidmet Wilhelm Müller (dedicated to Wilhem Müller).

Constant Nieuwenhuys-Homeless, 1998
photo: Tom Haartsen

Homeless

1998
150.0cm x 144.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant '98, upper left in white oil paint.

Constant Nieuwenhuys-Flamenco, 1997
photo: Tom Haartsen

Flamenco

1997
194.0cm x 185.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Stedelijk Museum Schiedam, NL

Signed and dated Constant '97, lower left in brown oil paint on brown fond.

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