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Constant Nieuwenhuys-ZT/Menigte, 2003
photo: Tom Haartsen

ZT/Menigte

2003
56.0cm x 41.0cm
paper, watercolor
Collection Fondation Constant
Constant Nieuwenhuys-Couple II, 2001
photo: Tom Haartsen

Couple II

2001
57.0cm x 41.0cm
paper, watercolor
Collection Fondation Constant
Constant Nieuwenhuys-Staande figuur, 2001
photo: Tom Haartsen

Staande figuur

2001
61.0cm x 45.0cm
paper, watercolor
Collection Fondation Constant
Constant Nieuwenhuys-The Spectators, 2001
photo: Tom Haartsen

The Spectators

2001
112.5cm x 109.0cm
paper, watercolor
Collection Gallery Delaive
Constant Nieuwenhuys-Vrouw met hond, 2001
photo: Tom Haartsen

Vrouw met hond

2001
56.0cm x 42.0cm
paper, watercolor
Private collection
Constant Nieuwenhuys-ZT/Vrouw, 2001
photo: Tom Haartsen

ZT/Vrouw

2001
52.0cm x 38.0cm
paper, watercolor
Collection Fondation Constant
Constant Nieuwenhuys-De kleine bader, 2000
photo: Tom Haartsen

De kleine bader

2000
55.5cm x 40.5cm
paper, watercolor
Private collection
Constant Nieuwenhuys-De soldaat, 2000
photo: Tom Haartsen

De soldaat

2000
57.0cm x 42.0cm
paper, watercolor
Collection Fondation Constant
Constant Nieuwenhuys-Lola de Valence, 2000
photo: Tom Haartsen

Lola de Valence

2000
55.0cm x 40.0cm
paper, watercolor
Collection ProWinko

Lola de Valence is the title of a painting by Édouard Manet from 1862. He painted it at the start of his career when he used many Spanish themes in his work. Lola Melea aka Lola de Valence (Lola from Valencia), was the star of the Spanish de ster  ballet group of Mariano Camprubi. From August 12th till November 2nd 1862  the groupe performed in Hippodrome in Paris. Manet and his friends Baudelaire and Zacharie Astruc were very enthusiastic about the groupe and Manet convinced the groupe to pose for him in the studio of Alfred Stevens.

Constant Nieuwenhuys-Man met hond, 2000
photo: Tom Haartsen

Man met hond

2000
56.3cm x 41.8cm
paper, watercolor
Private collection

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