On the occasion of the exhibition Revolver Verlag presents an extensive catalogue in a Polish-English version and a German-English version. The catalogue includes texts on all participating artists by authors like Manuel Borja-Villel, Luca Cerizza, Sebastian Cichocki, Mark Gisbourne, Brigitte Huck, Martina Fuchs, Daniel Marzona, Kaja Pawełek, Anda Rottenberg, Susanne Titz and four essential essays, dealing with the various aspects of the theme.
Bibliography
Pages

Ideal City – Invisible Cities

In Girum Imus Nocte Et Consumimur Igni
Accompanies exhibition In Girum Imus Nocte Et Consumimur Igni. Het verloren paradijs van de Situationistische Internationale in the Centraal Museum in Utrecht from December 14th 2006 to March 11th, 2007 travelling to Tingely Museum in Basel from April 4th to August 5th, 2007.


Exit Utopia | Architectural Provocations, 1956-76
This topical examination of a key moment in modern architecture pointedly and critically evaluates the role of the neo-avant - garde in today's world. International in scope and exhaustive in detail, the book explores important exponents of "visionary" and "utopian" architecture in the closing juncture of the modernist era, coinciding with the cultural upheavals and social transformations of the 1960s and 1970s.


Schilderen in Nederland
First edition in 1979.
Constant: p. 221, 223, 272, 273, 275

Constant, Grafiek
The book was presented at the exhibition Constant, graficus at the Cobra museum of modern art in Amstelveen from February 27th to April 15th, 2004.

Constant, Graveur
The book was presented at the exhibition Constant, graficus at the Cobra museum of modern art in Amstelveen from February 27th to April 15th, 2004.

Verf
Voor Verf interviewde schrijver/journalist Hans den Hartog Jager veertien van de belangrijkste Nederlandse schilders aan het begin van de 21e eeuw, onder wie Constant, Marlene Dumas, Ger van Elk, Daan van Golden en Robert Zandvliet.
Het uitgangspunt is anders dan gebruikelijk in de literatuur over schilderkunst. Niet langer staat het idee achter het werk voorop, maar juist de manier waarop het doek totstandkomt. Hoe kiezen schilders hun verf? In welke traditie zien deze kunstenaars zichzelf? Wat inspireert hen? En wanneer besluiten ze dat een schilderij 'af' is?

Migration
Catalogue with the exhibition Migration at Kunstmuseum Lichtenstein with works by: Joseph Beys, Alighiero Boetti, George Brecht, Pier Paolo Calzolari, Constant, Robert Filliou, Olafur Gislason, Felix Gonzalez-Torres, Mona Hatoum, Nicolas Humbert, Werner Penzel, Mario Merz, Marcel Odenbach, Kim Sooja.