Second edition: 2003
Edited by Thijs Tromp and Ineke Middag
De Ideologische Speelsheid van een Cobra kunstenaar, pp. 147-152 on Constant's Laddertje (Little Ladder), 1949.
Accompanying the exhibition The Cobra Movement-fifty years in the Koahsiung Museum of Fine Arts in Taiwan.
This book appeared on the occasion of the 50th anniversary of the foundation of the CoBrA group and the exhibition thereof at the Cobra Museum of Modern Art in Amstelveen. The book focuses on the three dimensional work of the Cobra members that had been underexposed till the mid eighties. The author, Willemijn Stokvis, incorporates a lot of material in this book that she was not able to incorporate in her thesis in the seventies.
In De tweede helft Ad de Visser tells the story of the visual arts of the last fifty years, the second half of the twentieth century. Without avoiding the proverbial complexity of the material, he manages to make the array of movements and individual artists clear and knows to keep his story alive avoiding art-historical clichés and not averse to personal preference and critical commentary.
Catalogue with the exhibition Constant | Grabados y litografías at Museo de Bellas Artes, Caracas.
A catalogue with the exhibition Situationistische Internationale 1957-1972 at Museum des moderner Kunst Stiftung Ludwig Wien im 20er Haus, 1998.
Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City.
Catalogue with manifest and work accompanying the exhibition COBRA 50 År at the Arken Museum for Moderne Kunst in Denmark.