Bibliography

Article by Ludo van Halem en Marcel Hummelink in Jong Holland, number 2/1994

Publication by Fonds voor beeldende kunsten, vormgeving en bouwkunst presenting the life-time achievement award winner of 1994: Constant (fine art), Eva Besnyö (photography), Otto Treumann (graphic design), Helmut Salden (graphic design and typography), Ernest Groosman (architecture) and Nico de Jonge (landscaping). The life-time-achievement award committee: Benno Premsela (chair), Kirsten Algera (secretary), Wim Beerne, Wil Bertheux, Marie Hélène Cornips, Marc Mulders, Renny Ramakers and Carel Weeber.

Text on the mural paintings Hans Nijsen made for a bicycle storage in Eindhoven. 

Catalogue with the exhibition Alles van Waarde is weerloos | Cobrakeramiek uit de periode 1948-1951 in Het Kruithuis, Stedelijk Museum voor Hedendaagse Kunst, 's-Hertogenbosch now called Design Museum Den Bosch.

Catalogue for the exhibition CoBrA 1948-1951 at municipal galerie/museum Aemstelle (Amstelveen, NL - no longer in existence) from 9 January till 21 February, 1993.

Catalogue for the exhibition Art brut at Kunstverein Augsburg (26 September - 1 November 1993), Kulturhaus Graz (20 January - 27 February 1994) and Bielefelder Kunstverein in Museum Waldhof (12 March - 24 April 1994). 

Catalog with the exhibition COBRA revisité at Musée D'Art Moderne at Liège, Belgium.

Edition 20, 1992. The magazine is published four times a year.

From the foreword: A valuable collection of over 300 Cobra-related items came into our possession just a few months ago. We enriched this lot with some equally fine publications on this matter, from various sources, in order to create a rich and most comprehensive collection, which we are happy to presentin this catalogue.  This collection will be exhibited and offered for sale for the first time during the 13th European Antiquarian Bookfair, held at the Amsterdam Rai Congress Centre, February 27, 28 and 29, 1992.

This is the first comprehensive publication on the Dutch painter, Constant Nieuwenhuys, who played a decisive role in the European artistic life, as much through his work as a painter and sculptor as through his theoretical reflection. The period after his New Babylon project is a reconquest of painting in its means as in its ends. Witness and historian of the COBRA movement, close friend of Constant, Jean-Clarence Lambert continues his critical and poetic study of contemporary art with this new publication.

Band 1 from 2. Band 2 Bild und Reflexion.

Künstler – Kritisches Lexikon der Gegenwartskunst is a publication that appears four times a year, each edition being a monograph of a particular contemporary artist. This edition from 1992 is dedicated to Constant.

Article by Graham Birtwistle.

Auction catalogue for the Cobra auction held at Kunsthallen, Copenhagen (Gothersgade 9, no longer in existence). Works were on view on May 25 and May 27-28, 1991, with the auction taking place on May 29, 1991. 

Catalogue with the exhibition Cobra, post Cobra at PMMK, Oostende, Belgium in 1991.

Catalog for the exhibition Constant Wasserfarben at Galerie van de Loo, München, May 1991. 

Yearbook of the international Fine Art Scene with amongst others a chapter on Cobra by Freddy de Vree.

Volume 2 of 2. This critical work has as a guiding theme a notion derived from the philosopher Balechard: the material imagination, a notion that played a key role in the Cobra era, which gives its originality and coherence to Jean-Clarence Lambert's critical work, and led him to a precise conception of powers of the creative imagination, defining a reign of images in itself or imaginal reign Constant is mentioned on page 125 and 136.

Volume 1 of 2.

Texts spoken at the award ceremony of the Verzetsprijzen 1991 (Resistance Awards) on Saturday 4 May 1991 in De Nieuwe Kerk in Amsterdam. Constant won the Verzetsprijs 1991 along with Andreas Burnier, and read the text: Verzet ook nu.

Interview with Betty van Garrel for VPRO magazine, to announce an episode in the art series Atlantis in which Constant talks about his painting L'incendie II, 1987.

Catalogue with travelling exhibition Am Anfang war das Bild by Otto van de Loo with work by Pierre Alechinsky, Karel Appel, Hans Matthëus Bachmayer, Georg Baselitz, Günter Brus, Miriam Cahn, Constant, Corneille, Gunter Damisch, Martin Disler, Jean Dubuffet, Jean Fautrier, Lothar Fischer, Pinot Gallizio, Franz Hitzler, Egill Jacobsen, Asger Jorn, Gustav Kluge, Alfred Kremer, Maryan, Henri Michaux, Max Neumann, Carl Henning Pedersen, A.R.