Venice Biennale, 1966.
NB: We do not have a version fit for print of this image
Documentation
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photo: Unknown
Photo by Koert Stuyf
photo: Koert Stuyf
Constant makes music with gypsy orchestra Kabani
1966
f.l.t.r. Constant playing guitar with Paul Hermans cimbalom and Hans van Lier bass guitar at his studio Wittenburg.
ca 1966
NB: We do not have a version fit for print of this image.
Photo unknown
photo: Unknown
Constant painting the door of the Dutch pavilion at the Venice Biennale
1966
Constant painting the door for his exhibtion in the Dutch pavilion at the Venice Biennale, 1966.
Photo unknown
photo: Unknown
Constant, Betty van Garrel and Rem Koolhaas at Constant's studio Wittenburg
1966
Constant interviewed by journalists Betty van Garrel and Rem Koolhaas at his studio, Wittenburg, because of the Premio Cardazzo award Constant recieved for his New Babylon project- and Cobra works, represented in the Dutch pavilion at the Venice Biennale. Interview published in Haagse Post-Beeldende Kunst De Stad van de toekomst. HP-gesprek met Constant over New Babylon, August 6, 1966.
Photo unknown
photo: Unknown
Dutch pavilion at the Venice Biennale
1966
Dutch pavilion at the Venice Biennale, 1966. In front ‘Sector construction’ (destroyed), in the back f.l.t.r. the map New Babylon Nord (1958), the model Spatiovore, the drawing Homo Ludens (1966) and some other works.
Photo unknown
photo: Unknown
Entrance Dutch pavilion at Venice Biennale
1966
Entrance Dutch pavilion at the Venice Biennale, preparing the outside for Constant's exhibition, 1966
Photo unknown
photo: Unknown
Photo unknown
photo: Unknown
Entrance of the Constant exhibition at Venice Biennale
1966
Entrance of the Constant exhibition in the Dutch pavilion at Venice Biennale in 1966, with Constructie met halve cirkels, hanging from above.
Photo unknown
photo: Unknown