Blog by McKenzie Wark on VersoBook.com
Article on the acquisition of the Diorama's by the Gemeentemuseum.
Article on the aquisition of the Diorama's by the Gemeentemuseum.
A research by Mylene Jankoswki on the collection of Constant's work by the museum transcending several directorships.
Exhibition review of Constant. Nueva Babilonia at Museo Reina Sofia in Madrid.
Article about the connections between Cobra and Miró and the exhibition at Cobra museum.
A short article on the passing of Gerrit Kouwenaar mentioning Constant, Karel Appel, Lucebert, the Experimentele Groep Holland and Cobra.
Interview with Adri Duivesteijn about the city innovations he realised as alderman in Almere and Den Haag. He mentions the New Babylon project by Constant as an inspiration.
A guest blog on a photo of Constant by J.J.M. de Jong from 1949 on jedithjadegroot.nl.
About Anton Martineau’s hommage aan Velázquez with references to the Cobra members and Constant.
Constantijn Kelk speaks about his work as emeritus professor of criminal and criminal procedural law, in particular penitentiary law, his inspirations, his contact with Constant and the influence of his work on Constant's art.
Exhibition review of the Spirit of Cobra by Anne Tschida.
Spirit of Cobra, a major exhibition exploring the roots and inspiration of the European avant-garde Cobra movement, on view November 8, 2013 through May 18, 2014.
A review of the exhibition Ik hou van Holland in Stedelijk Museum Schiedam on kunstisoveral.wordpress.com.
Blog by Esther Schreuder about her findings on what the Cobra Group was during her research for the catalog Ambassade Hotel catalog.
Video edit of the opera Constant Tranzit (2013) by Anna Mikhailova. The opera was composed for her Master Music Theater at Codarts and is based on the life of Constant Nieuwenhuys, who worked on his New Babylon project for more than ten years.
An argument on the history of creative city planning and the fact that it goes back to New Babylon which contradicts the idea that it would be hype.
Video interview with the metal restorer, Sarah Creange, of the Rijksmuseum after the Ruimtecircus is bought for the new 20th century wing, 2013.
An essay on utopian praxis, Débord, Constant and others.