Constant and his wife Trudy at the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
Constant and his wife Trudy at the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
At the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
Exhibition Constant, une rétrospective, Picasso Museum Antibes.
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Constant working on Les baigneurs in his studio Wittenburg in Amsterdam, 2001
Constant, his wife Trudy and the Italian architect Francesco Careri at the opening of the exhibition Constant. Constant, une rétrospective, Picasso Museum Antibes June 2001
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Constant and Trudy in front of the exhibition Constant, une rétrospective at the Picasso Museum Antibes, France, June 2001
The opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
The opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
The opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
The opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
At the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image
At the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes. F.l.t.r: Director Picasso Museum, Maurice Fréchuret, Constant and Trudy.
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Constant his daughters Eva and Martha at the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
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Constant his daughters Eva and Martha at the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
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An essay by Laurent Marie for M Shield and T. Fitzmaurice (eds), Cinema and the City: film and urban societies in a global context, Oxford, Blackwell, 2001, pp. 257-69. In the essay Laurent Marie points out the relevance of Playtime to the 1960's in light of the Situationists writings. He examines Situationist theories on urbanism, with particular reference to New Babylon.
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Audience at the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes. F.l.t.r.: Constant's grandson, Sandor and son Victor Nieuwenhuys.
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Family and friends of Constant at the opening of the exhibition Constant, Une Rétrospective, Picasso Museum Antibes.
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During their stay for the opening of the exhibition Rétrospective, Picasso Museum Antibes.
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During their stay for the opening of the exhibition Constant, une rétrospective, Picasso Museum Antibes.
NB: We do not have a version fit for print of this image