The Situationists and Constant in Art Review October 2017

Art Review-October 2017
Constant Nieuwenhuys-New Babylon-Den Haag, 1964
Constant Nieuwenhuys-Grote gele sector, 1967
Constant Nieuwenhuys-Ode à l'Odéon, 1969
Constant Nieuwenhuys-Gezicht op New Babylonische sectoren, 1971
Constant Nieuwenhuys-Overreden hond, 1977
Constant Nieuwenhuys-L'otage, 1992

Both the Situationists International and Constant get a spot in the limelight in Art Review vol 69, no 7. McKenzie Wark dissects whether the Situationists are still relevant in his article 60 Years of Recuperation on page 74-79. Followed by an interview from 2003 with Constant by Mark Rappolt on page 80-85. Both articles flanked by beautiful images.