Documentation

<p>In his studio Wittenburg, 1967</p><h2><strong>NB: Not available in high res! Copyright and distribution of a high resolution image are managed by <a title="Magnum Photos" href="https://www.magnumphotos.com/shop/&quot; target="_blank">Magnum Photos</a>. <br></strong></h2>

<p>Constant, his third wife Nel and their dog Herta walking in Amsterdam, ca 1967.</p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p><em>New Babylon. En verden for Homo Ludens et New Baby­lon - Et forslag (New Babylon. A World for Homo Ludens. A suggestion)</em> in cat. of the exhibition <em>Constant. New Babylon</em>, Oslo, Kunstnernes Hus, 1967.</p>

<p><em>Omtrent New Babylon. Een briefwisseling met Luc Wenseleers (About New babylon. A correspondence with Luc Wenseleers)</em> in <em>Ruimten. Letterkundig interuniversitair tijdschrift</em>, vol 6, nº 21/22, 1967, p. 75-88.</p>

<p>Party at Constant's studio at Derde Wittenburgdwarsstraat in Amsterdam. On the right Roel van Duijn the initiator of Provo. On the left front, turned around in his chair is Johnny, Constant's welding assistant. In the background the drawing Sektor-BR-SUR-57, 1966 and the construction Mobile Ladder Labyrinth, 1967.</p>

<p>Text catalogue exhibition <em>Constant. </em><em>Von Cobra bis New Babylon</em>, München, Galerie Heseler, 1967.</p>

<p><em>Traffic in towns </em>in <em>New Babylon Bulletin</em>, nº 1, January 1967, p. 1-12.</p>

<p>Victor and Constant with the Ladderlabyrinth at studio Wittenburg, circa 1966.</p>

<p>Broadcast on November 27, 1966-NPS Television</p>

<p>Review on the COBRA exhibition at&nbsp;Boymans van Beuningen, Rotterdam.&nbsp;</p>

<p>Introduction for the Sociological Interacademiale at the university of Groningen on April 20th, 1966.</p>

<p>Lecture by Constant at the opening of the exhibition <em>Constant. New Babylon</em> at the Volkshochschule in Cologne in 1966.</p>

<p>Opening of Constant's exhibition at the Dutch pavilion, Venice Biennale<span style="font-size: 14px;">, 1966.</span></p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p>Constant at his exhibition in the Dutch pavilion at the Venice Biennale in 1966. In front f.l.t.r. <em>Construction with Colored Planes</em> (1954) and&nbsp;<span style="font-family: proxima-nova, Arial, Verdana, sans-serif; font-size: 14.000000953674316px; font-style: normal; font-variant-caps: normal;"><em>Construction with Transparent Planes</em>&nbsp;</span><span style="font-size: 14px;">(1954), hanging from above <em>Construction with half circles</em> (1958).</span></p>

<p><span>Venice Biennale</span>, 1966.</p><p><span><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>

<p><span><span>Constant at the Venice Biennale</span>, before the opening of his exhibition in the Dutch pavilion</span></p>

<p>f.l.t.r. Constant playing guitar with Paul Hermans cimbalom and Hans van Lier bass guitar at his studio Wittenburg.&nbsp;<br><br><span>ca 1966 &nbsp;</span><br><br><strong>NB: We do not have a version fit for print of this image.</strong></p>

<p>Constant painting the door for his exhibtion <span>in the Dutch pavilion&nbsp;</span>at the Venice Biennale, 1966.</p>

<p>Constant interviewed by journalists Betty van Garrel and Rem Koolhaas at his studio, Wittenburg, because of the Premio Cardazzo award Constant recieved for his New Babylon project- and Cobra works, represented in the Dutch pavilion at the Venice Biennale. Interview published in Haagse Post-Beeldende Kunst <em>De Stad van de toekomst. HP-gesprek met Constant over New Babylon</em>, August 6, 1966.</p>

<p>Inteview by Betty van Garrel and Rem Koolhaas for weekly magazine Haagse Post on the occasion of the presentation of his works in the Dutch Paviljoen at the Venice Biennial, 1966</p>