Documentation

Publication on New Babylon bij María Fuentes Carrasco.

Article in The Times about Sir Charles Cockerell. Reference to Constant in paragraph nine.

Review of the exhibition Constant, Een keuze uit het grafisch oeuvre at the Cobra Museum in Amstelveen.

Announcement of the exhibition Constant Graveur at the Cobra Museum of Modern Art Amstelveen.

Interview with Constant regarding his exhibition Constant | Een keuze uit het grafisch oeuvre at Cobra Museum voor Moderne Kunst.

Announcement of the exhibition Constant. Een keuze uit het grafisch oeuvre at Cobra Museum voor Moderne Kunst Amstelveen.

A review of the British media following the English and Irish tour of the exhibition Cobra | Copenhagen, Brussels, Amsterdam in 2003.

Review of a retrospective Cobra exhibition and Tail That Wags the Dog at IMMA, Dublin, Ireland. 

Interview with Constant for the Beeldrecht newsletter. 

Positive review of the COBRA exhibition at the Baltic, Gateshead.

Article in The Times on Adolfo Natalini and Superstudio. The article references Constant in paragraph eight.

A critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.

A positive, critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.

'The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond' held on October 30, 1999. Reviewed by Susan Laxton, Assistant Professor of Art History at University of California, Riverside, for Postmodern Culture 13, Nr. 2

Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition Ideaal! Wonen.

Small announcement about the theft of a watercolour from Galerie Delaive in 2002.

Cobra Museum buys three of Constant's paintings.

Review of the book Constant, New Babylon, una città nomade by Franceso Careri.

Article in PS van de week on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe.