Documentation

<p>The photo was published in Le Monde together with an article by Phillippe Dagen,&nbsp;<em>Constant, du situationnisme à la sagesse,&nbsp;</em>28-06-2002.</p><p><span>&nbsp;</span></p>

<p>Review of the book <strong>Constant, New Babylon, una città nomade</strong> by Franceso Careri.</p>

<p>Article in <em>PS van de week</em> on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: <em>I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe. </em></p>

<p>Article in HP De Tijd, on the sale of the Stuijvenberg collection.</p>

<p>Interview in a local magazine of the Nieuwmarkt neighbourhood in Amsterdam <em>OpNieuw, </em>2002.</p>

<p>Article by Simon Sadler, in which he analyses the following three books:</p>

<p>Constant with Bartomeu Mari at the opening of the Documenta Kassel in 2002</p>

<p>An announcement in Het Parool about the purchase of the paintings <em>De redenaar</em>, 1949 en <em>De rode vuist</em>, 1952 by the Cobra Museum of Modern Art, Amstelveen.</p>

<p>An announcement in Het Parool about the purchase of the paintings <em>De redenaar</em>, 1949 en <em>De rode vuist</em>, 1952 by the Cobra Museum of Modern Art, Amstelveen.</p>

<p>Mark Rappolt on two visions of urban life for the 21st century, published&nbsp;in the Contemporary on 07-2002.</p>

<p>On Constant's development after his New Babylon project in AA files 44.</p>

<p>Translation from French to English of the interview in the book<em> Atelier Amsterdam</em>.</p>

<p>Review on Constant's exhibition&nbsp;<em>Constant, une rétrospective,&nbsp;</em>on view at Musée Picasso in Antibes, France.</p>

<p>Audience at the opening of the exhibition&nbsp;<em>Constant, une rétrospective,</em><span style="font-style: normal; font-size: 14px;">&nbsp;Picasso Museum Antibes.&nbsp;</span></p><p><br>NB: We do not have a version fit for print of this image</p>

<p><span>At the opening of the exhibition&nbsp;<em>Constant, une rétrospective</em></span><em>,</em><span>&nbsp;Picasso Museum Antibes. F.l.t.r: Eva's husband, Jos, Martha's husband, Franco, Constant's daughters Martha and Eva, Constant, Trudy and Jean-Clarence Lambert. The two dogs in front are the dog of Martha and Constant's dog.&nbsp;<br><br><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>

<p><span>Constant and his daughter Martha at the opening of the exhibition&nbsp;<em>Constant, une rétrospective</em></span><em>,</em><span>&nbsp;Picasso Museum Antibes.<br><br><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>

<p><span>Constant in front of his paintings <span><em>The crowd&nbsp;</em><span>and <em>Junkies</em> t</span></span>he day before the opening of the exhibition&nbsp;<em>Constant, une rétrospective </em>at the&nbsp;</span><span>Picasso Museum Antibes, 28 june 2001.&nbsp;<br><br><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>

<p>At the opening of the exhibition&nbsp;<em>Constant, une rétrospective</em><em>,</em>&nbsp;Picasso Museum Antibes.&nbsp;<br /> <br /> <strong>NB: We do not have a version fit for print of this image</strong></p>

<p>Constant and his dog, Tikus in his studio Wittenburg in Amsterdam, 2001</p>