Documentation

<p>What could possible go wrong?<br />
Circa 1968</p>

<p>Constant, Johnny Jacobs, Koen Wessing's son and photographer Koen Wessing at the studio Wittenburg, circa 1968.</p>

<p>Overview of New Babylon, 1968</p>

<p>Nébuloses Mécaniques projected in Landscape.</p>

<p>Constant received a commission to create a sketch for plastic at the central tax building in Breda.</p><p><strong><span id="docs-internal-guid-c339e427-7fff-4a3d-7fe2-7a01da286bca">NB: We do not have a version fit for print of this image. </span></strong></p>

<p>In his studio Wittenburg, 1967</p><h2><strong>NB: Not available in high res! Copyright and distribution of a high resolution image are managed by <a title="Magnum Photos" href="https://www.magnumphotos.com/shop/&quot; target="_blank">Magnum Photos</a>. <br></strong></h2>

<p>Constant, his third wife Nel and their dog Herta walking in Amsterdam, ca 1967.</p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p>Party at Constant's studio at Derde Wittenburgdwarsstraat in Amsterdam. On the right Roel van Duijn the initiator of Provo. On the left front, turned around in his chair is Johnny, Constant's welding assistant. In the background the drawing Sektor-BR-SUR-57, 1966 and the construction Mobile Ladder Labyrinth, 1967.</p>

<p>Victor and Constant with the Ladderlabyrinth at studio Wittenburg, circa 1966.</p>

<p>Opening of Constant's exhibition at the Dutch pavilion, Venice Biennale<span style="font-size: 14px;">, 1966.</span></p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p>Constant at his exhibition in the Dutch pavilion at the Venice Biennale in 1966. In front f.l.t.r. <em>Construction with Colored Planes</em> (1954) and&nbsp;<span style="font-family: proxima-nova, Arial, Verdana, sans-serif; font-size: 14.000000953674316px; font-style: normal; font-variant-caps: normal;"><em>Construction with Transparent Planes</em>&nbsp;</span><span style="font-size: 14px;">(1954), hanging from above <em>Construction with half circles</em> (1958).</span></p>

<p><span>Venice Biennale</span>, 1966.</p><p><span><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>

<p><span><span>Constant at the Venice Biennale</span>, before the opening of his exhibition in the Dutch pavilion</span></p>

<p>f.l.t.r. Constant playing guitar with Paul Hermans cimbalom and Hans van Lier bass guitar at his studio Wittenburg.&nbsp;<br><br><span>ca 1966 &nbsp;</span><br><br><strong>NB: We do not have a version fit for print of this image.</strong></p>

<p>Constant painting the door for his exhibtion <span>in the Dutch pavilion&nbsp;</span>at the Venice Biennale, 1966.</p>

<p>Constant interviewed by journalists Betty van Garrel and Rem Koolhaas at his studio, Wittenburg, because of the Premio Cardazzo award Constant recieved for his New Babylon project- and Cobra works, represented in the Dutch pavilion at the Venice Biennale. Interview published in Haagse Post-Beeldende Kunst <em>De Stad van de toekomst. HP-gesprek met Constant over New Babylon</em>, August 6, 1966.</p>

<p>Dutch pavilion at the Venice Biennale, 1966. In front ‘Sector construction’ (destroyed), in the back f.l.t.r. the map New Babylon Nord (1958), the model Spatiovore, the drawing Homo Ludens (1966) and some other works.</p>

<p>Entrance Dutch pavilion at the <span>Venice&nbsp;</span>Biennale, preparing the outside for Constant's exhibition, 1966</p>

<p>Entrance Dutch pavilion <span>Venice Biennale</span>, 1966</p>

<p>Entrance of the Constant exhibition in the&nbsp;Dutch pavilion <span>at&nbsp;</span><span>Venice Biennale in 1966,&nbsp;</span>with Constructie met halve cirkels, hanging from above.</p>