Documentation

<p>Essay by Julie Nichols for Graduate Journal of Asia-Pacific Studies (4:2) 2004, pp 29-52</p>

<p>Interview with Constant regarding his exhibition&nbsp;<em>Constant | Een keuze uit het grafisch oeuvre&nbsp;</em>at&nbsp;Cobra Museum voor Moderne Kunst.</p>

<p>Constant and Karel Appel in restaurant Le Garage in Amsterdam after the farewell reception of director Rudi Fuchs in the Stedelijk Museum CS on the Oosterdokskade on Saturday 5 June 2004</p>

<p>Constant with his <em>Self portrait</em>, 1942, in the depot of Stadsgalerij Heerlen|Schunck at the opening of the exhibition "Verf", Sunday 3 october 2004. Eventually the portrait wasn't shown at the exhibition of the guestcurator Hans den Hartog Jager.<br><br></p>

<p>Announcement of the exhibition<em> Constant. Een keuze uit het grafisch oeuvre&nbsp;</em>at Cobra Museum voor Moderne Kunst Amstelveen.</p>

<p>A review of the British media following the English and Irish tour of the exhibition <em>Cobra | Copenhagen, Brussels, Amsterdam </em>in 2003.</p>

<p>Radio program Wim Brands interviews historian Marcel Hummelink about his new book, <em>Apres nous la liberté</em>, about artist Constant Nieuwenhuys. In the first hour of the program. The interview with Marcel Hummelink is in Dutch and starts at: 00:11:59-00:44:00 min</p><p>&nbsp;</p>

<p>Review of a retrospective Cobra exhibition and Tail That Wags the Dog at IMMA, Dublin, Ireland<em>.&nbsp;</em></p>

<p>Interview with Constant for the Beeldrecht newsletter.&nbsp;</p>

<p>Positive review of the COBRA exhibition at the Baltic, Gateshead.</p>

<p>Article in The Times on Adolfo Natalini and Superstudio<em>. </em>The article references Constant in paragraph eight.</p>

<p>A critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.</p>

<p>A positive, critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.</p>

<p>'The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond' held on October 30, 1999. Reviewed by Susan Laxton, Assistant Professor of Art History at University of California, Riverside, for Postmodern Culture 13, Nr. 2</p>

<p>For his exhibition <em>Content</em>&nbsp; at the Neue Nationalgalerie Berlin November 15, 2003 to January 18, 2004, Rem Koolhaas designed the title in a font similar to Constant's signature.&nbsp;</p>

<p>A collage of photos by Machiel Botman of Constant's Models, given as a gift to Hilary Gerrard in 2003.</p>

<p>Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition <em>Ideaal! Wonen</em>.</p>

<p>Small announcement about the theft of a watercolour from Galerie Delaive in 2002.</p>

<p>Cobra Museum buys three of Constant's paintings.</p>