Documentation

<p>Circa 1965<br />
<br />
<strong>NB: We do not have a version fit for print of this image. </strong></p>

<p>Circa 1965<br />
<br />
<strong>NB: We do not have a version fit for print of this image. </strong></p>

<p>The photo was taken in the studio of Constant Nieuwenhuys with André Volten and Peter Clough while they were working on the Evoluon park design Eindhoven.<br>ca 1965</p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p><span>Shamai Haber, André Volten and Constant Nieuwenhuys&nbsp;at Constant's studio studio Wittenburg.&nbsp;</span><br><span>ca 1965</span><br><br><strong>NB: We do not have a version fit for print of this image</strong></p>

<p>fltr: Shamai Haber , Constant and André Volten working on the <em>Woestijnproject (The Desert Project)</em>.&nbsp;&nbsp;Design for the Evoluon square Eindhoven.<br />
ca 1965</p>

<p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p><span>f.l.t.r.: Shamai Haber, Constant and André Volten working on the maquette&nbsp;<em>Woestijnproject.&nbsp;</em>Design for&nbsp;the Evoluon square Eindhoven.</span><br><span>ca 1965</span></p><p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p>For the exhibition Nieuw Beelden at the Stedelijk Museum Amsterdam in 1965 Constant and (Nic) Tummers developed the construction T-T √2.</p>

<p>For the exhibition Nieuw Beelden at the Stedelijk Museum Amsterdam in 1965 ConstanT and (Nic) Tummers developed the constrauction T-T √2.</p>

<p>For the exhibition Nieuw Beelden at the Stedelijk Museum Amsterdam in 1965 ConstanT and (Nic) Tummers developed the construction T-T √2.</p>

<p>Volten lecturing&nbsp;<span>at the Evoluon park design Eindhoven exhibition at Van Abbe Museum.</span></p><p><strong>NB: We do not have a version fit for print of this image.</strong></p>

<p><strong>NB: We do not have a version fit for print of this image</strong></p>

<p><span>Article regarding the renewed social art regulation for visual artists, the so-called 'tegenprestatieregeling'.&nbsp;</span></p>

<p>Reception for the opening of an exposition by P. Mansaram (right next to Constant) in June 1964. The exposition was opened by the well known critic of the time Mr Hans Redeker. Who also wrote the introduction in the catalogue.<br>From the archive of P. Mansaram.</p><h2><strong>NB: Not available in high res!</strong></h2>

<p>Small news item in Leidsch Dagblad about Constants demand to have the painting Barricade returned to him by the Stedelijk Museum Amsterdam, April 21, 1964.</p>

<p>Article on New Babylon in Paletten, nr. 2, 1964</p>

<p>A lecture by Constant at the Art Academy in Copenhagen on March 12th, 1964 translated in Danish for Signum, year 4, nr. 3, 1964.</p>

<p>Article regarding the renewed social art regulation for visual artists, the so-called 'tegenprestatieregeling'.&nbsp;</p>

<p>Constant his Monkey Boumi.</p><p>ca&nbsp;<span>1964<br><br><strong>NB: We do not have a version fit for print of this image</strong><br></span></p>