Documentation

<p>The design suggestion by Gerrit Rietveld and Constant at the installation <em>Kleurenharmonie in uw woning</em> (<em>H</em><em>armony of color in your home</em>) at the exhibition <em>Ons Huis – Ons Thuis</em> at department store de Bijenkorf in Amsterdam, February 1954. The painting <em>Zwart. rood. groen.</em>, 1953 is editted into the black and white picture by Jan Versnel.</p>

<p>Constant and Roger Hilton in Paris, 1953.</p>

<p>From left to right: Constant, Calliyannis, Selim Turan, Jocelyn Chewett (wife of Stephen Gilbert) and Stephen Gilbert<br />
in front of Galerie Suzanne Michel in Paris at the opening of the exhibition 'Constant, Gilbert, Goulet, Pons, Selim,<br />
Wendt and Jocelyn Chewett', March 1953.</p>

<p>Stephen Gilbert in his studio, 1953.</p>

<p><em>Ruimte in kleur</em> (<em>Room in colors</em>) built by Constant and Aldo van Eyck for the exhibition <em>Mens en Huis </em>(<em>Man and Home</em>) from November 21 1952 to January 5, 1953 at the Stedelijk Museum Amsterdam.<br><br><a title="Spatial colorism" href="http://www.notbored.org/spatial-colorism.html&quot; target="_blank"><em>Voor een spatiaal colorisme</em></a> (<em>For a spatial col

<p>Constant and Aldo van Eyck, Amsterdam 1952, 50 editions. With comments from Gerrit Rietveld</p><p><em>Voor een spatiaal colorisme</em> in <em>Forum </em>VIII, nº 10, 1953, p. 361.&nbsp;Republished with title <em>Pour un colorisme spatial</em> in <em>Documents relatifs à la fondation de l’Internatio­nale Situationniste 1948-1957</em>, Paris, Allia, 1985, pp.

<p>Constant with his painting <em>Verschroeide aarde [I] (</em>1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>Concentratiekamp (</em>1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>De oorlog (</em>1950) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>De oorlog (</em>1950) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting Verschroeide aarde<em> III (</em>1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>Verschroeide aarde [III] (</em>1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>Verschroeide aarde [II] (</em>1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Constant with his painting <em>Verschroeide aarde [I] </em>(1951) outside his studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p><em>Schilderijen van critici (Paintings of critics)</em> in <em>Mandril. Maandblad voor mensen</em> nr. 10 (August 1951).</p>

<p>Onknown object, presumably in Constant's studio at the Henri Polaklaan 25, Amsterdam, circa 1951.</p>

<p>Dotremont at his place Rue de la Paille, Bruxelles, 1950. On the wall a work by Constant, 1948.</p>

<p>Constant at the lithographic printer in Copenhagen in 1949.</p><p><strong>NB: We do not have a version fit for print of this image.</strong></p>

<p>Review of the first Cobra exhibition in Stedelijk Museum Amsterdam<strong><em><br></em></strong>&nbsp;in Panorama, November 01, 1949</p>