Documentation

<p>Essay by Lynn Berger for de Correspondent about the commercialisation of creativity and Constant's New Babylon<br /> <em>February 16, 2015</em></p>

<p>In this interview for the Oral History Project of Fondation Constant journalist Max Arian speaks about his interview with Constant for his article in magazine De Groene Amsterdammer in 1995 (published in January 17, 1996). He recollects how the interview with Constant influenced his biography of Willem Sandberg and Constant's personality.

<p>In this interview for the Oral History Project of Fondation Constant art collector Karel van Stuijvenberg tells about his encounters with Constant, his obsession with collecting CoBrA art, organisingexhibitions in South-Amerika and the exhibition he made in Caracas with Graphic Work by Constant. | Interviewer: Karel Ankerman<br><br>Audio of the full interview, executed and documented in Dutch, is available in the archive for research purposes.

<p>Review of the exhibition <em>The Avant-Garde Won't Give Up</em> at Blum &amp; Poe, Los Angeles.</p>

<p>Review of the exhibition <em>Constant. Nueva Babilonia</em> at Museo Reina Sofía Madrid.</p>

<p>Review of the exhibition <em>The Avant-Garde Won't Give Up</em> at Blum &amp; Poe, Los Angeles.</p>

<p>Radio: Hunter Drohojowska-Philp talks about the plucky CoBrA artists at Blum &amp; Poe.<br><br>From this episode: <br><em>The Avant Garde Won't Give Up</em> is the title of a group show of artists active in the years after World War II, 1948 to 1951. Living in Copenhagen, Brussels and Amsterdam, they were known by the acronym CoBrA and often melded figurative and abstract elements in their paintings. Though influential, even radical, during their time, many have faded from the larger historical narrative.

<p>Announcement of the exhibition <em>The Avant-Garde Won't Give Up</em> at Blum &amp; Poe, Los Angeles.</p>

<p>Announcement of the Appel exhibition and <em>Constant - New Babylon</em> exhibition in 2016 at Kunstmuseum Den Haag (formerly known as Gemeentemuseum Den Haag) by the editorial office Den Haag of De Telegraaf, November 11, 2015.</p>

<p>Article after the exhibition <em>Constant. Nueva Babilonia</em> at Museo Reina Sofía Madrid.</p>

<p>Review of the reproduction of the IJhorst table by Spectrum Design by Jeroen Junte in <em>De Volkskrant, </em>November 7, 2015.</p>

<p>Interview with Laura Stamps about the exhibition<em> Constant. Nueva Babilonia </em>at Museo Reina Sofía in Madrid, by Anya Lawrence for Disegno.Daily on November 4, 2015.</p>

<p>Radio 1 interview with Laura Stamps about the exhibition, <em>Constant. New Babylon,</em> in Museo Reina Sofia Madrid. October 27, 2015</p>

<p>Exhibition announcement of <em>Constant. Nueva Babilonia </em>at Museo Reina Sofía in Madrid.<strong><strong><strong><strong> </strong></strong></strong></strong></p>

<p>Exhibition announcement of <em>Constant. Nueva Babilonia</em> in Museo Reina Sofía in Madrid<strong><strong><strong><strong><em><strong>. </strong></em></strong></strong></strong></strong></p>

<p>Exhibition announcement of <em>Constant. Nueva Babilonia</em> at Museo Reina Sofía in Madrid.</p>

<p>Exhibition review of <em>Constant. Nueva Babilonia </em>in Museo Reina Sofía Madrid.</p>

<p>Exhibition announcement of <em>Constant. Nueva Babilonia</em> in Museo Reina Sofía in Madrid.</p>

<p>Interview with Manolo Borja Villel and Laura Stamps for the exhibition <em>Constant. Nueva Babilonia</em> at Museo Reina Sofia Madrid.</p>