Text on the mural paintings Hans Nijsen made for a bicycle storage in Eindhoven.
Documentation
Künstler | Kritisches Lexikon der Gegenwartskunst
Edition 20, 1992. The magazine is published four times a year.
Constant and Corneille at Campus Point Art, Paris
At the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris, 1992.
Constant and Corneille at Gallery Daniel Gervis, Paris
At the exhibition accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
NB: We do not have a version fit for print of this image
Constant at Cercle d'Art, Paris
Constant with his editor at Cercle d'Art, Paris, in 1992 working on the book Constant. Trois espaces.
Constant signs his book Les trois espace
Constant signing his book Les trois espace with editorial coordinator Sylvie Poignet at his publisher Cercle d'art in Paris, 1992.
NB: we do not have a TIFF image of this picture!
Constant, Jean-Clarence Lambert and Coneille, at Gallery Daniel Gervis, Paris
Constant, Jean-Clarence Lambert and Corneille in front of Autoportrait. Jean-Clarence Lambert is holding Constant. Les trois espaces and a book about Corneille. At the exhibition at Gallery Daniel Gervis, accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
Corneille and Constant at Gallery Daniel Gervis, Paris
Corneille and Constant in front of Autoportrait, at the exhibition at Gallery Daniel Gervis, accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
NB: We do not have a version fit for print of this image
Jean-Clarence Lambert, Karel Stuijvenberg, Constant and Corneille at Gallery Daniel Gervis
At the exhibition at Gallery Daniel Gervis, accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
NB: We do not have a version fit for print of this image
Shirley Clement, Corneille and Constant at Gallery Daniel Gervis, Paris
fltr: Shirley Clement, Corneille and Constant. Constant is reading the publication of Constant. Les trois espaces, 1992. At the exhibition at Gallery Daniel Gervis, accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
NB: We do not have a version fit for print of this image
Shirley Clement, Corneille, Constant and Jean-Clarence Lambert at Daniel Gervis, Paris
f.l.t.r.: Shirley Clement, Corneille, Constant and Jean-Clarence Lambert. At the exhibition accompanying the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris.
NB: We do not have a version fit for print of this image
Texte d'introduction de Constant au débat Art et Liberté
Constant gives a lecture “Art et Liberté at the presentation of his first book Les Trois Espace published by Cercle D'Art and presented at Campus Point Art in Château de Montvillargenne in Paris. The lecture was published in Point d’Art, le journal semestriel du Cercle d’Art no.8, fall-winter 1992, p. 19.
Constant at his studio Wittenburg, 1991
With the models Eivormige constructie [II] and Ruimtecircus [I] in the background.
Verzet, ook nù
Verzet, ook nù in Verzetsprijzen 1991: teksten uitgesproken bij de uitreiking 4 mei 1991 in De Nieuwe Kerk te Amsterdam, Nijmegen, Sun, 1991.
Constant Nieuwenhuys in Atlantis
Interview with Betty van Garrel for VPRO magazine, to announce an episode in the art series Atlantis in which Constant talks about his painting L'incendie II, 1987.
Bilder der Gruppe Cobra in München
Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Die Zeit.
Der Schrei des Verlorenseins
Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Bayerische Staatszeitung.