Image

Constant Nieuwenhuys-Fête de la Tristesse, 1949

Photographer

Tom Haartsen

Fête de la tristesse

1949
Cobra
85,0cm
x 110,0cm
linen
oil paint
Collection Museum Boijmans van Beuningen Rotterdam, NL on longterm loan from Rijksdienst voor Cultureel Erfgoed

CID

281

Painted on his birthday July 21st, 1949, this painting captures the heartache Constant experiences after his wife Matie has left him for his friend and colleague Asger Jorn, taking his two daughters Martha and Olga with her.

    English title

    Feast of Sadness

    Alternate titles

    Feest der droevenis
    2015
    Fête de la tristesse
    1948

    Signed/dated

    Signed and dated Constant '49, top center in black

    Provenance

    1949 Constant
    1962 Collection Rijksdienst voor Cultureel Erfgoed | K62384
    2002 Collection Museum Boijmans van Beuningen Rotterdam, NL
    Tags
    Animal
    Fantasy creature
    Figures
    Heartache
    Love

    Frame dimensions

    unknown

    Image

    Constant Nieuwenhuys-Après nous la liberté, 1949

    Photographer

    Unknown

    Après nous la Liberté

    1949
    Cobra
    139,5cm
    x 107,0cm
    linen
    oil paint
    Collection Tate Modern London, UK

    CID

    278

    This work was painted in Amsterdam and its original title was ‘A Nous la Liberté'. In a letter to the curator of the Tate Modern, dated 6 February 1988 Constant recalled the ‘general mood' from which the painting emerged and explained why the title was later changed:

    After the five years of the German Occupation, during which hardly any work of other painters was to be seen, the Rijksmuseum in Amsterdam organised a large show of contemporary Dutch art, entitled ‘Kunst in vryheid' (Art in freedom). This exhibition was a deception by the lack of any creative freedom - the worst kind of academicism. Shortly after (in 1946) I met Asger Jorn in Paris, who appeared to be a related mind. Our friendship would lead, 2 years later, to the foundation of Cobra. The title of this painting was originally ‘A Nous la Liberté' opposing the false ‘freedom' of the above mentioned exhibition (and what followed after). A few years later, Cobra had fallen apart and many of its former members were classified in museums as ‘experimentals', forming a new ‘style' contradictory to the real aims of the movement - My disappointment about this development led me to change the title to ‘Après Nous la Liberté'. I changed the title to express my doubts about the possibility of ‘free art' in an unfree society, and, at the same time, my hopes for the freedom all men are longing for. *
     

    *https://www.tate.org.uk/art/artworks/constant-after-us-liberty-t03705

      English title

      After Us, Freedom

      Alternate titles

      À nous la Liberté
      1949 Archive entry
      Nach uns die Freiheit
      1961

      Signed/dated

      Signed and dated Constant '49, center left of center in white paint

      Provenance

      1949 Constant
      1961 Collection Otto van der Loo, München, DE
      1983 Collection Tate Modern London, UK [donation Otto van de Loo, München, DE]
      Tags
      Animal
      Figures
      Ladder

      Frame dimensions

      unknown

      Image

      Constant Nieuwenhuys-Grieks theater, 1948

      Photographer

      Tom Haartsen

      Grieks theater

      1948
      Cobra
      33,5cm
      x 23,0cm
      ink
      paper
      watercolour
      Collection Fondation Constant

      CID

      252

      A drawing on a page from one of the note books of his wife at the time. She was studying ancient languages.

        English title

        Grecian Theater

        Signed/dated

        Signed and dated Constant '48, bottom right in pencil

        Provenance

        1948 Constant
        2003 Private collection, NL (gift)
        Tags
        Animal
        Culture
        Fantasy creature
        Figures
        Theater

        Frame dimensions

        52 x 41 x 1,2 cm