Image
![Constant-Haantje op rieten stoel, 1946 Constant Nieuwenhuys-Haantje op rieten stoel, 1946](/system/files/styles/work/private/work/haantje_op_rieten_stoel_1946.jpg?itok=sWWoOnoi)
Photographer
Tom Haartsen
Circa 1946
Circa 1946
Circa 1946
Constant's son Victor was two years old at the time.
After the Second World War, Constant starts to experiment with a cubist painting style. Of the two founders of cubism, Picasso and Braque, Constant feels more akin with the latter. It is often said that the cubist work of Braque maintains a sense of balance and harmony while Picasso strived for disruption in his art. Constant’s ‘Portret van Matie’ is indeed a fine example from Constant's body of work of a balanced harmony of shapes, as seen in Braque's cubism. For another example, see Stilleven [II], 1945.
A portrait of Constant's first wife Matie van Domselaer, inspired by Picasso.