Stilleven [II]

1945
57.2cm x 78.2cm
linen, oil paint
Collection Stedelijk Museum Amsterdam, NL
CID: 1547

After the Second World War, Constant starts to experiment with a cubist painting style. Of the two founders of cubism, Picasso and Braque, Constant feels more akin with the latter. It is often said that the cubist work of Braque maintains a sense of balance and harmony while Picasso strived for disruption in his art. This still life is indeed a fine example from Constant's body of work of a balanced harmony of shapes, as seen in Braque's cubism. For another example, see Portret van Matie [II], 1946.

Vrouwekopje

1945
30.0cm x 25.0cm
paper, pencil
Collection Fondation Constant, NL
CID: 115

Interieur van de Willibrorduskerk (tijdens de hoogmis)

1944
150.0cm x 100.0cm
linen, oil paint
Private collection, NL
CID: 2911

Stilleven

1944
50.5cm x 60.0cm
linen, oil paint
Collection Fondation Constant, NL
CID: 2912

Zelfportret

1944
31.7cm x 24.4cm
paper, pencil
Private collection, NL
CID: 2590

Circa 1944.

ZT/Bloemen in een vaas

1944
41.9cm x 32.1cm
paper, watercolour
Private collection, NL
CID: 2792

ZT/Landschap

1944
26.0cm x 34.6cm
paper, pencil, watercolour
Private collection, NL
CID: 2793

ZT/Portret van Matie breiend

1944
39.8cm x 32.0cm
linen, oil paint
Private collection, NL
CID: 2791

Constant and his partner Matie Domselaer, who would become his wife in 1942, lived along Sarphatipark in Amsterdam during the Second World War. During the war, artists were required to register with the Reich Chamber of Culture to be allowed to continue their practice. Constant did not register and would therefore hide in the crawl space under the house when danger approached. Matie would sit on the hatch to the crawl space and knit away as if nothing was out of the ordinary. 

De bergrede

1943
60.3cm x 44.0cm
linen, oil paint
Private collection, NL
CID: 1396

Zelfportret

1942
95.0cm x 76.0cm
linen, oil paint
Private collection, NL
CID: 272

circa 1942