Bibliography

Article by Lambert Tegenbosch in de Volkskrant, about New Babylon and the exhibition in lieu with Holland Festival 1974.

Article in Openbaar Kunstbezit of April/June, 1974, p. 83-84.

Article regarding the renewed social art regulation for visual artists, the so-called 'tegenprestatieregeling'. 

Announcement of the exhibition about the magazine and its influence on post-war art.

Article by Frans Duister in TS, about New Babylon and the exhibition in lieu with Holland Festival 1974.

Article on Constant in OKV, 11e editie.

Announcement of an exhibition by Jan Nieuwenhuys at Gallery Nicolas

Article by Erik Slagter about Cobra in Denmark.

Announcement of the exhibition Constant | Aquarelles, sculptures et graphiques at Galerie Daniel Gervis, Paris.  

Review of the exhibition Constant | Aquarelles, sculptures et graphiques at Galerie Daniel Gervis, Paris.

Review of the exhibition Constant | Aquarelles, sculptures et graphiques at Galerie Daniel Gervis, Paris.

Short bio and a text by Constant from Cobra magazine, nr. 4, 1949.

German paper discussing Gustav Lübbe, Verlag Spielen oder Töten.

Article on Constant and New Babylon by Fanny Kelk for Insight Holland in the Holland Herald, Edition 12, nr 11, 1977

German paper discussing Gustav Lübbe Verlag Spielen oder Töten.

Article on the rejection of the Ridder in de orde van Oranje-Nassau by Constant Nieuwenhuys 

News item on Constant's and other artist's refusal to receive a Royal Distinction.

German paper discussing Gustav Lübbe Verlag, Spielen oder Töten.

Article on the rejection of the Ridder in de orde van Oranje-Nassau by several artist.

 Article on the rejection of Ridder in de orde van Oranje-Nassau by Constant Nieuwenhuys. 

Text by Erik Slagter about Gerrit Kouwenaar and Constant Nieuwenhuys. The text was published in streven magazine.  

 Article on the rejection of Ridder in de orde van Oranje-Nassau by Constant Nieuwenhuys. 

New item about the conclusion of the Constant's lawsuit against Stedelijk Museum about the ownership of his painting Barricade [1949]. The painting was awarded to Constant, who then donated it to Stedelijk Museum.

Outlining the idea to involve Constant in plans for urban development for the Wesselerbrink area in Enschede. The plan is geared towards greater participation by inhabitants in shaping their neighbourhood.