Twee vrouwen [II]

2000
42.0cm x 50.0cm
paper, watercolour
Private collection, NL
CID: 2567

De beslissing

1999
52.0cm x 34.5cm
ink, paper, watercolour
Collection ProWinko
CID: 1088

De filosoof

1999
51.0cm x 42.0cm
paper, watercolour
Collection ProWinko, NL
CID: 1135

Eenzaamheid

1999
52.0cm x 42.5cm
paper, watercolour
Collection Fondation Constant, NL
CID: 214

Filosoof

1999
34.5cm x 23.5cm
ink, paper, watercolour
Collection Fondation Constant, NL
CID: 207

Circa 1999.

Het afscheid [II]

1999
51.0cm x 41.0cm
ink, washed ink
Private collection, Paris, FR
CID: 2568

Het bezoek

1999
112.6cm x 126.8cm
ink, paper, watercolour
Collection G. Meulensteen
CID: 2430

La rue

1999
115.0cm x 110.5cm
paper, watercolour
Collection Fondation Constant, NL
CID: 544

Le baiser [II]

1999
100.0cm x 92.0cm
linen, oil paint
Collection Fondation Constant, NL
CID: 451

Les expulsés

1999
149.0cm x 143.0cm
linen, oil paint
Collection Fondation Constant longterm loan to Rijksmuseum Twenthe, NL
CID: 18

Inspired by the events in Kosovo. On April 12, 1999 Time Magazine printed a powerful cover photo by photographer Damir Sagolj of refugees from Kosovo with a woman with a white head scarf and a baby at her breast in front. It may have been this image that inspired Constant to paint Les éxpulsés. When you look at the original photo the white head scarf, the coloroud clothes in the middle of the line of people and the curved bend of the line of refugees are mirrored in Constants painting.