Bibliography
Revolution in the nursery
2003
CID: 1988
A critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.
Bruises, blobs and bog-eyed dogs
2003
CID: 1986
A positive, critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.
Good place and no place
2003
CID: 1985
'The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond' held on October 30, 1999. Reviewed by Susan Laxton, Assistant Professor of Art History at University of California, Riverside, for Postmodern Culture 13, Nr. 2
Architectuur voor een arbeidsvrij bestaan
2002
CID: 2344
Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition Ideaal! Wonen.
Werk Constant gestolen
2002
CID: 7037
Small announcement about the theft of a watercolour from Galerie Delaive in 2002.
The Playful City
2002
CID: 2829
Review of the book Constant, New Babylon, una città nomade by Franceso Careri.
Ik wil de schilderkunst redden
2002
CID: 6533
Article in PS van de week on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe.
Constant Nieuwenhuys Bij de voorplaat
2002
CID: 6534
Interview in a local magazine of the Nieuwmarkt neighbourhood in Amsterdam OpNieuw, 2002.
AA Files 41
2002
CID: 7100
Article by Simon Sadler, in which he analyses the following three books:
Yona Friedman: Structures Servicing the Unpredictable. Edited by Sabine Lebesque & Helene Fentener van Vlissingen. Published by Netherlands Architecture Institute.
New Babylon: Constant, art et utopie. Edited by Jean-Clarence Lambert. Published by Éditions Cercle d'Art.
Constant's New Babylon, The Hyper-architecture of Desire. Written by Mark Wigley and Published by 010 Publishers.
Schilderijen Constant teruggekocht
2002
CID: 6993
An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.
Schilderijen Constant teruggekocht
2002
CID: 6993
An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.
Urban Spectacle
2002
CID: 7130
Mark Rappolt on two visions of urban life for the 21st century, published in the Contemporary on 07-2002.
No more theory; nothing but practice. Constant, after New Babylon
2001
CID: 1984
On Constant's development after his New Babylon project in AA files 44.
The Amsterdam Studio
2001
CID: 1983
Translation from French to English of the interview in the book Atelier Amsterdam.
Les "gros plaisirs" du peintre Constant
2001
CID: 6920
Review on Constant's exhibition Constant, une rétrospective, on view at Musée Picasso in Antibes, France.
Constant houdt zijn mooiste werk liever zelf
2000
CID: 7949
Article Het Parool about the exhibition Constant, recente werken at Gallery Delaive in Amsterdam, 2000.
Constant (80) bij Delaive
2000
CID: 6865
Notification on the exhibition Constant (80) bij Delaive at Galerie Delaive, Amsterdam.
De ideale stad is nog mijlenver weg
2000
CID: 1982
About the convention on New Babylon at the TU Delft.
Constant wil zijn topwerk niet kwijt
2000
CID: 6992
Announcement in Het Parool on the exhibition Constant. Recente werken at Galerie Delaive, 2000.
ARCHITECTURE REVIEW; Tinkertoy Fantasy for a City of Unquenchable Desire
1999
CID: 6919
Review on Constant's exhibition Another City for Another Life: Constant's New Babylon, on view at the Drawing Center, New York City, USA.
Mark Wigley over Constant Nieuwenhuys' New Babylon : Een stad van onverkend verlangen
1999
CID: 1981
Article on the publication of the book Constant's New Babylon: The Hyper-Architecture of Desire by Mark Wigley.
De wereld een kuilenstrand
1999
CID: 7099
Article about New Babylon written in response to Constant's exhibition Constant | New Babylon at Kunstinstituut Melly (formerly known as Witte de With), Rotterdam.