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Volume 1 of 2.
This book shows a key theme in Jean-Clarence Lambert's critical reflection, which has been pursued for more than 25 years: The material imagination, a notion derived from Bachelard and first appeared in Cobra where she had played a central role. Jean-Clarence Lambert has multiplied the particular analyzes on the main Cobra artists.This critical work has as a guiding theme a notion derived from the philosopher Balechard: the material imagination, a notion that played a key role in the Cobra era, which gives its originality and coherence to Jean-Clarence Lambert's critical work, and led him to a precise conception of powers of the creative imagination, defining a reign of images in itself or imaginal reign
| Title | Year |
|---|---|
| Le Règne Imaginal | 2 L'Imagination Matérielle | 1991 |
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| Title | Year | Page | Number | ID |
|---|---|---|---|---|
| Erotic Space | 1971 | 4418 | ||
| Biafra | 1971 | 4419 | ||
| Adieu la P. | 1962 | 4420 | ||
| Homo Ludens | 1967 | 4421 | ||
| Groeten uit New Babylon | 1963 | 4422 | ||
| L'imagination effrayante 4-Slagveld | 1951 | 4423 | ||
| Fauna | 1949 | 4410 | ||
| Goede Morgen Haan, pag 07-08 | 1949 | 4411 | ||
| Het laddertje | 1949 | 4412 | ||
| L'insurrection [II] | 1985 | 4413 | ||
| La Liberté insultant le peuple | 1975 | 4414 | ||
| Femme qui a blessé un oiseau avec une feuille morte | 1949 | 4415 | ||
| Reisschets (Figuren in ruimte) | 1965 | 4416 | ||
| De schilder in zijn atelier | 1977 | 4417 |
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