Zittende Oosterse vrouw

1975
37.5cm x 62.4cm
paper, pencil, watercolour
Collection Frans Hals Museum, NL
CID: 1401

ZT/Figuren [II]

1975
40.2cm x 50.1cm
paper, pencil, watercolour
Private collection
CID: 1413

ZT/Spelende figuren

1975
61.0cm x 73.7cm
paper, watercolour
Collection ABN AMRO, NL
CID: 1253

De Balspelers

1974
90.0cm x 94.0cm
linen, oil paint
Collection Eva Nieuwenhuys, NL
CID: 2315

Deurenlabyrint

1974
49.9cm x 61.7cm
gouache, ink, paper
Collection Fondation Constant, NL
CID: 1630

Door Labyrinth for New Babylon exhibition in Gemeentemuseum, Den Haag in 1974

Donkere kamer

1974
plexiglass, steel, wood
Does not apply
CID: 2981

Interpretative reconstruction of a room in the exhibition New Babylon at Gemeentemuseum in Den Haag in 1974. After this exhibition Constant left the largest part of his New Babylon project at the museum.

La blouse hongroise

1974
123.0cm x 134.0cm
linen, oil paint
Private collection, NL
CID: 2314

Le couple

1974
70.4cm x 90.2cm
linen, oil paint
Private collection, NL
CID: 1285

Le Viol

1974
68.7cm x 88.5cm
linen, oil paint
Private collection, NL
CID: 1104

The painting is considered an important painting in Constant's oeuvre; it shows his transition from New Babylon to the Late Period. After finishing it, Constant was somewhat shocked by the result: he felt that he had incorporated too much reality into it. Fanny Kelk - art critic and preparing an exhibition and catalogue accompanying the David Roëll Prize for Constant, said she thought the painting was beautiful. This kept Constant from destroying it — he ended up giving the painting to her. Inspired by her words, Constant allowed reality to seep even further into his paintings.

Le voyeur

1974
87.0cm x 91.0cm
aluminum paint, ink, paper, washed chalk
Private collection, NL
CID: 1283