Labyrint

1968
56.9cm x 76.5cm
color lithograph
Collection Rijksmuseum Amsterdam, NL
CID: 1606
Constant Nieuwenhuys-Labyrinth, 1968

Photographer

Tom Haartsen

LABYRISMEN 00

1968
linen
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 841

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen A, 1968

Photographer

Tom Haartsen

LABYRISMEN 01

1968
38.2cm x 47.3cm
color lithograph
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 842

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 1, 1968

Photographer

Tom Haartsen

LABYRISMEN 01A

1968
ink, paper
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 853

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 1a, 1968

Photographer

Tom Haartsen

LABYRISMEN 02

1968
39.9cm x 47.4cm
color lithograph
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 843

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 2, 1968

Photographer

Tom Haartsen

LABYRISMEN 02A

1968
ink, paper
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 854

Locatie: Grafiekkamer | Doos K, 1x edition incomplete [2, 3, 5, 6, 7, 8 9a (5x), 10, 11, plus an unknown print]. 

Constant Nieuwenhuys-Labyrismen 2a, 1968

Photographer

Tom Haartsen

LABYRISMEN 03

1968
38.7cm x 47.9cm
color lithograph
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 844

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 3, 1968

Photographer

Tom Haartsen

LABYRISMEN 03A

1968
ink, paper
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 855

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 2a, 1968

Photographer

Tom Haartsen

LABYRISMEN 04

1968
37.9cm x 47.4cm
lithograph
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 845

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76
Published in house as a co-op with Gallery Krikhaar Amsterdam.

Constant Nieuwenhuys-Labyrismen 04, 1968

Photographer

Tom Haartsen

LABYRISMEN 04A

1968
ink, paper
Collection Fondation Constant, NL, Collection Museum of Art Fort Lauderdale, Florida, USA. Donated by the Golda and Meyer Marks Cobra Collection, Collection Museum Boijmans van Beuningen, NL, Collection Frans Hals Museum, NL, Collection Kunstmuseum Den Haag, NL
CID: 856

11 lithographs by Constant with texts by C. Caspari. Typographics done by Constant. Printed by P. Clement, Amsterdam.
Edition: 76 [numbered 1-73], of which 3x Hors Commerce [numberedI to III]. 
Published in house as a co-op with Gallery Krikhaar Amsterdam.

‘Labyrismen’ is a visualisation in word and image of New Babylonian. The German texts by Caspari are written in his spontaneous handwriting; sometimes words are even crossed out. The texts explain the meaning and importance of labyrinths in New Babylon as being a playground for the New Babylonians. 

Constant Nieuwenhuys-Labyrismen 4a, 1968

Photographer

Tom Haartsen