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Fondation Constant

Twee exposities rond kunstenaar Constant

2016

Press release on the exhibitions:
Constant. Ruimte + Kleur in Cobra museum voor moderne kunst Amstelveen &
Constant. New Babylon in Gemeentemuseum Den Haag
May 28-September 25, 2016

IJhorst tafel-Spectrum Design @Design Fair Milan

Huisraad

2016

Items spotted on the Design fair in Milan mentioning the IJhorst table designed by Constant for Spectrum Design in 1953 now taken into reproduction.

Constant Nieuwenhuys-Spatiovore II, 1960

Grootschalige tentoonstelling New Babylon

2016

Announcement of the exhibition Constant - New Babylon. Na ons de vrijheid at the Gemeentemuseum Den Haag.

Diego de Ybarra

Ya vendrán tiempos propicios

2016

On Constant and New Babylon.

Hans Dulfer in front of De Poort van Constant by Pieter Boersma

De Poort van Constant is er nog

2016

Letters from readers after an article in Het Parool mistakingly claims that De Poort van Constant is not around anymore, Het Parool, February 20, 2016

Exposición 'Constant. Nueva Babilonia'. Foto: Sonia Aguilera

Constant y su influencia, a debate en el Reina Sofía

2016

Announcement of the debate with Anthony Vidler for architects on Constant. Nueva Babilonia at Museo Reina Sofía in Madrid.

Constant Nieuwenhuys-Tikus, 1991

This interview is part of the Oral History Project of Fondation Constant. The Oral History Project is financially supported by Stichting Jaap Harten Fonds and Gifted Art.

Tom Haartsen | Photographer

2016

In this interview for the Oral History Project of Fondation Constant photographer, Tom Haartsen speaks about his work with Constant taking photo's of his paintings and watercolors and his personal memories of him.
Interviewer: Karel Ankerman

Audio of the full interview, executed and documented in Dutch, is available in the archive for research purposes. Email Kim van der Horst for more information.

'De Stad' als Nieuw Babylon

'De Stad' als Nieuw Babylon

2016

Part of my work is humanising technique, like New Babylon (1959-1974) by Constant. According to Constant technique is not an alienating mode but a way to bring man closer to its nature. Homo ludens.

Constant Nieuwenhuys-L'ultima cena, 1979

This interview is part of the Oral History Project of Fondation Constant. The Oral History Project is financially supported by Stichting Jaap Harten Fonds and Gifted Art.

Nico Delaive | Gallerist

2016

In this interview for the Oral History Project of Fondation Constant gallerist, Nico Delaive speaks about his encounters with Constant, the exhibitions and catalogues they made together, the purchases and sales he did of his work and personal memories.
Interviewer: Karel Ankerman

Audio of the full interview, executed and documented in Dutch, is available in the archive for research purposes. Email Kim van der Horst for more information.

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