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In May 1949, Constand and his family visit Asger Jorn on the Danish island Bornholm. A personal tragedy takes place when Constant's wife, Matie, leaves him for Jorn. She takes their two daughters Martha and Olga and leaves their only son, Victor, with Constant.
Constant processes his heartache through his art: in Femme qui a blessé un oiseau avec une feuille morte, the bird represents himself and Jorn is depicted as a dead leaf.
Title | Year |
---|---|
Cobra. Una grande avanguardia europea 1948-1951 | 2015 |
Klee + Cobra | 2012 |
Klee und Cobra | 2011 |
Constant. In het atelier | 2008 |
Constant Malerier | 1996 |
Schilderijen 1948-1995 | 1995 |
COBRA | Eine europäische Bewegung 1948-1951 | 1989 |
Constant 1945-1983 | 1986 |
La Grande Parade | 1984 |
Internationale Tentoonstelling van Experimentele Kunst | 1949 |
Title | Year | Page | Number |
---|---|---|---|
Cobra. Una grande avanguardia europea 1948-1951 | 2015 | 175 | |
Klee und Cobra | 2012 | 193 | |
Klee and Cobra | 2012 | 193 | |
Klee & Cobra | 2012 | 193 | |
Klee en Cobra | 2012 | 193 | |
Constant, De late periode | 2008 | 163 | 165 |
Constant, Grafiek | 2004 | 205 | 14 |
Constant, Graveur | 2004 | 205 | 14 |
Après nous la liberté | 2002 | 91 | 44 |
Constant, Une rétrospective | 2001 | 135 | 16 |
Constant. Schilderijen | Paintings | 1995 | 85 | 6 |
Engagement und Distanz | 1992 | ||
Constant. Les trois espaces | 1992 | 31 | 15 |
Le Règne Imaginal | 1 Les artistes CoBrA | 1991 | ||
Cobra | Zwei Verlaüfe | 1989 | ||
Constant 1945-1983 | 1986 | 22 | 10 |
La Grande Parade | 1984 | 87 | |
TROUVAILLE | 1983 | 5 | 2 |
cobra | 1980 | ||
30 Jahre Galerie van de Loo | 1957 | 13 |
Title | Type | Year |
---|---|---|
Constant en het canoniseringsproces in het Stedelijk Museum | Academic | 2015 |
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