In episode three of Constant 1-on-1 the podcast Ronald Tolman tells an ankedote about the provenance of the painting, Femme-fleur aka Personnage de nuit [1949]. In the CoBrA period Constant had an important exhibition opening [this could be the exhibition at Henry Schou in 1951*]. He does not have a suit and convinces a reluctant tailor to choose a painting as payment for a tailoredmadesuit.
Work
De redenaar
Fauna
Femme Oiseau
Femme qui a blessé un oiseau avec une feuille morte
Femme-fleur
Fête de la tristesse
Painted on his birthday July 21st, 1949, this painting captures the heartache Constant experiences after his wife Matie has left him for his friend and colleague Asger Jorn, taking his two daughters Martha and Olga with her.
Goede Morgen Haan, pag 01-titelblad
A small printed booklet with poetry by Gerrit Kouwenaar and drawings by Constant. They created it in 1949 and it was supposed to be a little joke. This is also one of the lines in the booklet: 'Everyone considers themself to be a joke. A joke is allowed' The words and drawings are an expression of the playfullness of their creators where sometimes the words came first and the drawings followed as a reaction and sometimes the other way around.
Goede Morgen Haan, pag 01A-omslag
A small printed booklet with poetry by Gerrit Kouwenaar and drawings by Constant. They created it in 1949 and it was supposed to be a little joke. This is also one of the lines in the booklet: 'Everyone considers themself to be a joke. A joke is allowed' (Elk voelt zich een grapje, een grapje dat mag) The words and drawings are an expression of the playfullness of their creators where sometimes the words came first and the drawings followed as a reaction and sometimes the other way around.