Jeune musicienne assise

1940
40.0cm x 28.6cm
paper, pencil
Collection Stedelijk Museum Zutphen/ Museum Henriëtte Polak, NL
CID: 2564

Circa 1940

Meisje

1940
29.0cm x 12.0cm
paper, pencil
Collection unknown
CID: 2526

Ontbijtje

1940
83.5cm x 83.5cm
linen, oil paint
Private collection, NL
CID: 273

In the documentary Constant, avant le départ, 2005, the work is shown to Constant. He remarks about the work: The design is weak but the colours are good.

Pietà [II]

1940
32.7cm x 22.5cm
lithograph
Private collection, NL
CID: 2789

Circa 1940

Stilleven met lelies in een vaas

1940
61.5cm x 49.7cm
linen, oil paint
Private collection, Aerdenhout, NL
CID: 437

 

Femmes damnées

1939
21.8cm x 28.0cm
paper, pencil, watercolour
Collection ProWinko
CID: 1351

Circa 1939.
In 1939/1940 Constant drew 8 illustrations for the poems Fleurs du Mal by Charles Baudelaire,1857.
Both the drawings Le revenant  (The Ghost) and Femmes damnées (Delphine et Hippolyte) are from Fleurs du Mal.

Le revenant

1939
20.0cm x 13.5cm
crayon, paper, pencil, watercolour
Private collection
CID: 1250

Circa 1939
In 1939/1940 Constant drew 8 illustrations for the poems Fleurs du Mal by Charles Baudelaire, 1857.
Both the drawings Le revenant  (The Ghost) and Femmes damnées (Delphine et Hippolyte) are from Fleurs du Mal.

Portret van mijn moeder

1938
44.1cm x 33.5cm
crayon, paper, pencil
Collection Fondation Constant, NL
CID: 1027

Portret van mijn grootvader

1937
45.0cm x 38.0cm
crayon, paper
Private collection, NL
CID: 118

Constants grandfather on his mother's side was a tailor. Constant wore a purple suit made by his grandfather when he met Gerrit Kouwenaar on the Magere brug (Skinny Bridge) on a summer day in Amsterdam in 1942. Gerrit Kouwenaar later described this first meeting in the opening speech of an exhibition of Constant in Galerie Le Canard, 26 Januari 1952, with the following words:

De Emmaüsgangers

1936
86.0cm x 81.0cm
jute, varnish paint
Private collection, NL
CID: 271

Constant grew up in a Catholic environment and attended Saint Ignatius College, a Jesuit college in Amsterdam. In 1936 he painted his first oil painting and chose a religious subject: “The Emmaus Travellers”. Constant painted this work on an old burlap sack and used pigment from a house painter that he bought with his pocket money. Soon, other works of art with religious themes would follow. Not much later, however, he distances himself from the church and during WW II there is a definite break.