This work was painted in Amsterdam and its original title was ‘A Nous la Liberté'. In a letter to the curator of the Tate Modern, dated 6 February 1988 Constant recalled the ‘general mood' from which the painting emerged and explained why the title was later changed:
After the five years of the German Occupation, during which hardly any work of other painters was to be seen, the Rijksmuseum in Amsterdam organised a large show of contemporary Dutch art, entitled ‘Kunst in vryheid' (Art in freedom).