Déclaration d’Amour

1946
55.3cm x 60.0cm
linen, oil paint
Collection Rijksmuseum Twenthe, Enschede, NL
CID: 2517

Haantje op rieten stoel

1946
89.9cm x 70.3cm
linen, oil paint
Collection Museum Helmond, NL
CID: 1437

Circa 1946

Labyrint

1946
12.5cm x 19.0cm
ink, paper
Collection Fondation Constant, NL
CID: 114

Landschap met koeien

1946
40.9cm x 50.0cm
linen, oil paint
Private collection, NL
CID: 2607

Circa 1946

Portrait de mon fils

1946
93.0cm x 63.0cm
linen, oil paint
Collection Victor Nieuwenhuys, NL
CID: 1022

Circa 1946
Constant's son Victor was two years old at the time.

Portret van Matie [II]

1946
78.0cm x 53.0cm
linen, oil paint
Collection Elisabeth den Bieman de Haas
CID: 2110

After the Second World War, Constant starts to experiment with a cubist painting style. Of the two founders of cubism, Picasso and Braque, Constant feels more akin with the latter. It is often said that the cubist work of Braque maintains a sense of balance and harmony while Picasso strived for disruption in his art. Constant’s ‘Portret van Matie’ is indeed a fine example from Constant's body of work of a balanced harmony of shapes, as seen in Braque's cubism. For another example, see Stilleven [II], 1945.

Portret van Matie [I]

1946
89.0cm x 75.0cm
linen, oil paint
Collection Fondation Constant, NL
CID: 2

A portrait of Constant's first wife Matie van Domselaer, inspired by Picasso.

Stadsgezicht bij nacht (Magere brug)

1946
32.0cm x 43.0cm
linen, oil paint
Collection Stedelijk Museum Amsterdam, NL
CID: 1549

Stilleven met palet

1946
69.9cm x 90.0cm
jute, oil paint
Private collection NL
CID: 1563

Stilleven met schedel

1946
40.0cm x 60.0cm
linen, oil paint
Collection Stedelijk Museum Amsterdam, NL
CID: 1548