Bibliography

Künstler – Kritisches Lexikon der Gegenwartskunst is a publication that appears four times a year, each edition being a monograph of a particular contemporary artist. This edition from 1992 is dedicated to Constant.

Article by Graham Birtwistle.

Auction catalogue for the Cobra auction held at Kunsthallen, Copenhagen (Gothersgade 9, no longer in existence). Works were on view on May 25 and May 27-28, 1991, with the auction taking place on May 29, 1991. 

Catalogue with the exhibition Cobra, post Cobra at PMMK, Oostende, Belgium in 1991.

Yearbook of the international Fine Art Scene with amongst others a chapter on Cobra by Freddy de Vree.

Volume 2 of 2. This critical work has as a guiding theme a notion derived from the philosopher Balechard: the material imagination, a notion that played a key role in the Cobra era, which gives its originality and coherence to Jean-Clarence Lambert's critical work, and led him to a precise conception of powers of the creative imagination, defining a reign of images in itself or imaginal reign Constant is mentioned on page 125 and 136.

Volume 1 of 2.

Texts spoken at the award ceremony of the Verzetsprijzen 1991 (Resistance Awards) on Saturday 4 May 1991 in De Nieuwe Kerk in Amsterdam. Constant won the Verzetsprijs 1991 along with Andreas Burnier, and read the text: Verzet ook nu.

Interview with Betty van Garrel for VPRO magazine, to announce an episode in the art series Atlantis in which Constant talks about his painting L'incendie II, 1987.

Catalogue with travelling exhibition Am Anfang war das Bild by Otto van de Loo with work by Pierre Alechinsky, Karel Appel, Hans Matthëus Bachmayer, Georg Baselitz, Günter Brus, Miriam Cahn, Constant, Corneille, Gunter Damisch, Martin Disler, Jean Dubuffet, Jean Fautrier, Lothar Fischer, Pinot Gallizio, Franz Hitzler, Egill Jacobsen, Asger Jorn, Gustav Kluge, Alfred Kremer, Maryan, Henri Michaux, Max Neumann, Carl Henning Pedersen, A.R.

Concept by Dennis Hogers, Suzanna de Sitter and Rob Versluys. Another look at artists in Holland, featuring 32 artists.

Catalogue with the Biennial of Dutch graphic art: Grafiek Nu 4 in Singer Museum Laren.

"I will never give explanations. Now you are completely alone with our secrets." With this attitude, Guy Debord, the protagonist of the Situationist International, has hitherto prevented a close examination of this grouping. She therefore remained as unknown as notorious. Roberto Ohrt presents for the first time a critical chronology of the Situationist International and its time, a pointed history of modern art since 1945 in the fields of painting, literature, film, architecture, action.

Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Die Zeit.

Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Bayerische Staatszeitung.

Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Nürnberger Nachrichten.

Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Süddeutsche Zeitung München.

Review of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Landshuter Zeitung.

Announcement of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Münchner Merkur.

Announcement of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Abendzeitung.

Announcement of the exhibition COBRA | Eine Europäische Bewegung 1948-1951 in Munich, published in the Süddeutsche Zeitung nr 10.