Documentation

'The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond' held on October 30, 1999. Reviewed by Susan Laxton, Assistant Professor of Art History at University of California, Riverside, for Postmodern Culture 13, Nr. 2

For his exhibition Content  at the Neue Nationalgalerie Berlin November 15, 2003 to January 18, 2004, Rem Koolhaas designed the title in a font similar to Constant's signature. 

A collage of photos by Machiel Botman of Constant's Models, given as a gift to Hilary Gerrard in 2003.

Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition Ideaal! Wonen.

Small announcement about the theft of a watercolour from Galerie Delaive in 2002.

Cobra Museum buys three of Constant's paintings.

The photo was published in Le Monde together with an article by Phillippe Dagen, Constant, du situationnisme à la sagesse, 28-06-2002.  

Review of the book Constant, New Babylon, una città nomade by Franceso Careri.

Article in PS van de week on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe.

Article in HP De Tijd, on the sale of the Stuijvenberg collection.

Interview in a local magazine of the Nieuwmarkt neighbourhood in Amsterdam OpNieuw, 2002.

Article by Simon Sadler, in which he analyses the following three books: Yona Friedman: Structures Servicing the Unpredictable. Edited by Sabine Lebesque & Helene Fentener van Vlissingen. Published by Netherlands Architecture Institute.  New Babylon: Constant, art et utopie. Edited by Jean-Clarence Lambert. Published by Éditions Cercle d'Art.  Constant's New Babylon, The Hyper-architecture of Desire. Written by Mark Wigley and Published by 010 Publishers. 

Constant with Bartomeu Mari at the opening of the Documenta Kassel in 2002

An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

Mark Rappolt on two visions of urban life for the 21st century, published in the Contemporary on 07-2002.

On Constant's development after his New Babylon project in AA files 44.

Translation from French to English of the interview in the book Atelier Amsterdam.

Review on Constant's exhibition Constant, une rétrospective, on view at Musée Picasso in Antibes, France.