Bibliography

Unlocked No [1] is a first step towards unlocking the Rabobank Art Collection. The book focuses on the artists who introduce us to a unique vision through their work. Art critic Angelique Spaninks spoke with Ger van Elk, Henk Visch and Erzsébet Baerveldt. Poet Esther Jansma wrote a personal account of her visit to the collection.

Reconstruction of the "Beweging van Vijftig. Chapter on Cobra:Hoofdstuk 1 Reflex en Cobra: ‘er is een lyriek die wij afschaffen' PDF: Het elektrisch bestaan

An essay by Laurent Marie for M Shield and T. Fitzmaurice (eds), Cinema and the City: film and urban societies in a global context, Oxford, Blackwell, 2001, pp. 257-69. In the essay Laurent Marie points out the relevance of Playtime to the 1960's in light of the Situationists writings. He examines Situationist theories on urbanism, with particular reference to New Babylon.

Catalog for the exhibition Another city for another life: Constant's New Babylon from November 2nd to December 30th 1999 at the Drawing center New York. On October 29th the exhibition was opened with the symposium The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond.

Article Het Parool about the exhibition Constant, recente werken at Gallery Delaive in Amsterdam, 2000.

Notification on the exhibition Constant (80) bij Delaive at Galerie Delaive, Amsterdam.

About the convention on New Babylon at the TU Delft.

Accompanying the exhibition Cobra | Un art expérimental at art media - hôtel wielemans - huis in Brussel in 2000-2001.

Catalogue for the exposition Constant at Gallery Delaive, 2000

Announcement in Het Parool on the exhibition Constant. Recente werken at Galerie Delaive, 2000.

This publication presents Constant's work during late period organised by themes, oil paintings, watercolors and graphic work. The text contains the artist's personal reflection on the history of art and his own artistic approach. Constant has always been involved in the movement of ideas and in contemporary social and political history. Jean-Clarence Lambert created this publication from interviews with the artist, letters between them, articles and writings by Constant himself.

Catalogue with the exhibition Grupo Cobra, held from 17 July - 10 September 2000 at Pinacoteca do Estado de São Paolo, Brazil.

Catalogue with the exhibition Het kind in Cobra at Cobra Museum voor Moderne Kunst in Amstelveen in 2000-2001.

With the essay Recovery and Reappropriation in Lefebvre and Constant by Eleonore Kofman and Elizabeth Lebas from page 80-89.

Review on Constant's exhibition Another City for Another Life: Constant's New Babylon, on view at the Drawing Center, New York City, USA.

Article on the publication of the book Constant's New Babylon: The Hyper-Architecture of Desire by Mark Wigley.

Article about New Babylon written in response to Constant's exhibition Constant | New Babylon at Kunstinstituut Melly (formerly known as Witte de With), Rotterdam. 

Catalogue for the exhibition Drawing Papers 3 | Another City for Another Life | Constant's New Babylon from November 2 - December 30, 1999 at The Drawing Centre, New York.

Second edition: 2003 Edited by Thijs Tromp and Ineke Middag De Ideologische Speelsheid van een Cobra kunstenaar, pp. 147-152 on Constant's Laddertje (Little Ladder), 1949. READ ONLINE  

Article about New Babylon written in response to Constant's exhibition Constant | New Babylon at Kunstinstituut Melly (formerly known as Witte de With), Rotterdam. 

Collection of short stories, texts, poetry and art for Amnesty International compiled by Daan Bronkhorst to celebrate its 40 year existence.

Catalogue accompanying the exhibition Cobra: The Cobra Movement - 50 Years at the Hong Kong Museum of Art from February 5 - April 11, 1999, organized by the Hong Kong Museum of Art and the Cobra Museum for Modern Art, Amstelveen.

Accompanying the exhibition The Cobra Movement-fifty years in the Koahsiung Museum of Fine Arts in Taiwan.

Article about New Babylon written in response to Constant's exhibition Constant | New Babylon at Kunstinstituut Melly (formerly known as Witte de With), Rotterdam.