Bibliography

On the exhibition Constant/New Babylon: The Hyper-Architecture of Desire. Till January 10, 1999 in Kunstinstituut Melly (formerly known as Witte de With), Rotterdam.

Article about Constant and Corneille's protest, for the presence of Robert Jacobsen and Lotti van der Gaag in the exhibition CoBra 50, at the Cobra Museum in Amstelveen. 

On the New Babylon exhibition at Kunstinstituut Melly (formerly known as Witte de With), Rotterdam.

This edition of the DADA, art magazine for children from 6-106, (nr. 13, year 3, 1998) is dedicated to the Cobra Group.

This book appeared on the occasion of the 50th anniversary of the foundation of the CoBrA group and the exhibition thereof at the Cobra Museum of Modern Art in Amstelveen. The book focuses on the three dimensional work of the Cobra members that had been underexposed till the mid eighties. The author, Willemijn Stokvis, incorporates a lot of material in this book that she was not able to incorporate in her thesis in the seventies.  

Catalogue with manifest and work accompanying the exhibition COBRA 50 År at the Arken Museum for Moderne Kunst in Denmark.

Catalogue published by gallery lasés to mark the occasion of the 50th anniversary of the Cobra movement. 

Catalogue with the exhibition Constant | Grabados y litografías at Museo de Bellas Artes, Caracas.

In De tweede helft Ad de Visser tells the story of the visual arts of the last fifty years, the second half of the twentieth century. Without avoiding the proverbial complexity of the material, he manages to make the array of movements and individual artists clear and knows to keep his story alive avoiding art-historical clichés and not averse to personal preference and critical commentary.

A catalogue with the exhibition Situationistische Internationale 1957-1972 at Museum des moderner Kunst Stiftung Ludwig Wien im 20er Haus, 1998.

Accompanies the exhibition New Babylon-The Hyper-Architecture of Desire from November 21st, 1998 to January 10th, 1999 at Witte de With, Rotterdam. 010 nai Publishers

Simon Sadler searches for the Situationist City among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the Situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines Situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a Situationist City. Constant's work appears on page 5, 31, 114, 124, 125, 127, 128, 131, 137, 139, 140, 141, 142, 144, 150, 154,

An interview with Constant for the occasion of the exhibition Constant | Aquarellen at Gallery Collection d'Art in 1997.

Article regarding Goede Morgen Haan a booklet with poetry by Gerrit Kouwenaar and drawings by Constant published in 1949. 

Catalogue with the exhibition 50 años del moviemiento cobra in the Museo de Bellas Artes in Valencia, Spain.

Catalog with the traveling exhibition COBRA. CO penhagen BR ussel A msterdam at Musée cantonal des Beux-Arts Lausanne, Kunsthalle der Hypo-Kulturstiftung München and Kunst Haus Wien in 1997-1998.

Textes de Constant:Pour un urbanisme unitaire. L’internationale situationniste (1958-1960)New BabylonLa révolte de l’Homo ludens

Photo book celebrating 50 years Cobra.

Lecture by Professor Arne van Herk at his acceptance of the post professor Architectural Design, Form and Materialization at the Architecture Faculty at the Technical University Delft on November 26, 1996 published in a booklet by Publikatiebureau Bouwkunde in 1997. In this lecture he mentions Gerrit van Bakel, Michel Foucault, area Wittenburg in Amsterdam, New Babylon and Constant Nieuwenhuys, Brasília, Gemeentemuseum Den Haag, Almere Stad, Zuidpunt Hoornse Meer in Groningen, Den Haag stationsplein.

Publication with the exhibition Het uitzicht van de duif | Jan Elburg en Constant (documentaire) in Stedelijk Museum Schiedam, 1997.

P. 53  New Babylon ou les antinomies de l'utopie  | Hilde Heynen Insert with the magazine:Dear readers,After questioning the reports of art and politics, La Part de l'CEil addresses the question of architecture. Continuing the attempt to explore and invent the aesthetic discourse. In our endeavor, our constant desire to put the discourse to the test, we have confronted our hypotheses with the very act of building and living, with architecture in its own right and the difference with other arts.