Bibliography

Article on the acquisition of the painting Two Birds by the Cobra Museum from the collection of Alain Delon with a 10-minute television item from the art series Kunstuur.

Essay by Bart Lootsma.

Blog by Piet Vollaard on ArchiNed about the 'New Babylon' building in Den Haag. 

Obituary Stephen Gilbert in The Times. Constant is mentioned in a few paragraphs linked to Cobra.

Catalogue for the exhibition Cobra 60 at Ars Nova, Turku, Finland.

The AbC Cobra contains concise descriptions of all Cobra participants, of places, techniques and exhibitions.

De Nieuwe Ploeg was a group of artists in Voorburg in the 1950s who organised exhibitions, both of their own work and of artists outside Voorburg. Frits Becht and Wim Beeren were the initiators of the Nieuwe Ploeg. They worked closely with Voorburg artists such as Aart van den IJsse, Rudi Rooijakkers and Jan Snoeck. They organised exhibitions of avant-garde artists, who were innovative and progressive in many areas.

The Cobra Museum of Modern Art Amstelveen houses a impressive collection of Cobra art. In only a few years, an inventive purchasing policy has meant that the size of the collection is such that the museum is able to show a magnificent selection of work by diverse Cobra artists, now presented in this museum guide.

The Cobra Museum of Modern Art Amstelveen houses a impressive collection of Cobra art. In only a few years, an inventive purchasing policy has meant that the size of the collection is such that the museum is able to show a magnificent selection of work by diverse Cobra artists, now presented in this museum guide.

A documentation of Constant's studio at Wittenburg in Amsterdam and the move in 2008 by Jan de Rode with music by Eric Vaarzon Morel.Available in the archive for research purposes.

News item on the aquisition of the painting Fauna, 1949 by the Cobra museum from the collection of Hans en Alice de Jong with a small item on the television art series Kunstuur.

News item on the acquisition of the painting Fauna, 1949 by the Cobra Museum from the collection of Hans en Alice de Jong with a small item on the television art series Kunstuur.October 14, 2006

Part 1 of the tv series Onmetelijk Optimisme, a documentary series about artists and their mediators from 1945-1970.

Announcement of the exhibition Future City. Experiment and Utopia in Architecture 1956-2006 at the Barbican Art Gallery, London.

Review of the exhibition Future City: Experiment and Utopia in Architecture 1956-2000 at the Barbican Art Gallery, London.

Review of the documentary Constant, avant le départ, by Anthony Enns in the journal Leonardo, volume 41, issue 2.

Essay by Bart Lootsma.

A hommage to Constant.

The article by Peter Shield reconstructs the 1949 Cobra exhibition at the Stedelijk Museum Amsterdam.

Catalogue by the exhibition PÅSKE 2006.

On the occasion of the exhibition Revolver Verlag presents an extensive catalogue in a Polish-English version and a German-English version. The catalogue includes texts on all participating artists by authors like Manuel Borja-Villel, Luca Cerizza, Sebastian Cichocki, Mark Gisbourne, Brigitte Huck, Martina Fuchs, Daniel Marzona, Kaja Pawełek, Anda Rottenberg, Susanne Titz and four essential essays, dealing with the various aspects of the theme.

Accompanies exhibition In Girum Imus Nocte Et Consumimur Igni. Het verloren paradijs van de Situationistische Internationale in the Centraal Museum in Utrecht from December 14th 2006 to March 11th, 2007 travelling to Tingely Museum in Basel from April 4th to August 5th, 2007.

Publication with the exhibition Picasso, Klee and Miró and modern art in the Netherlands 1946 - 1958. Cat. text by Ludo van Halem and interview by Margot Welle.

Catalogue with the exhibition of the same title at Zeche Zollverein, Essen from August 26 till December 3, 2006. Featuring innovative international design, architecture and spatial interventions in a trans-disciplinary platform, the magazine; 'Talking Cities' stretches the boundaries of architecture and urban design and shifts our perceptions of contemporary city spaces. It is a dense collage of statements and designs that exemplify the dialogue on reconfiguring and reactivating the marginal, residual and public spaces of our cities.