Bibliography

A positive, critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.

'The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond' held on October 30, 1999. Reviewed by Susan Laxton, Assistant Professor of Art History at University of California, Riverside, for Postmodern Culture 13, Nr. 2

With an essay by Graham Birtwistle Published on the occasion of Cobra: Copenhagen, Brussels, Amsterdam, a National Touring Exhibition organized by the Hayward Gallery, London for the Arts Council of England with BALTIC.

Catalogue for the exhibition CoBrA. Terug uit de Hermitage (CoBrA. Back Home from the Hermitage) held from 18 October 2003 till 11 January 2004 at Museum Cobra. 

Catalogue with the exhibition Migration at Kunstmuseum Lichtenstein with works by: Joseph Beys, Alighiero Boetti, George Brecht, Pier Paolo Calzolari, Constant, Robert Filliou, Olafur Gislason, Felix Gonzalez-Torres, Mona Hatoum, Nicolas Humbert, Werner Penzel, Mario Merz, Marcel Odenbach, Kim Sooja.

Poems by Gerrit Kouwenaar translated to French by Pierre Galliaires Jan H. Mysjkin with two original graphic works by Constant. Printed in an edition of 50 with 6 hors commerce. 

Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition Ideaal! Wonen.

Small announcement about the theft of a watercolour from Galerie Delaive in 2002.

Cobra Museum buys three of Constant's paintings.

Review of the book Constant, New Babylon, una città nomade by Franceso Careri.

Article in PS van de week on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe.

Article in HP De Tijd, on the sale of the Stuijvenberg collection.

Interview in a local magazine of the Nieuwmarkt neighbourhood in Amsterdam OpNieuw, 2002.

Article by Simon Sadler, in which he analyses the following three books: Yona Friedman: Structures Servicing the Unpredictable. Edited by Sabine Lebesque & Helene Fentener van Vlissingen. Published by Netherlands Architecture Institute.  New Babylon: Constant, art et utopie. Edited by Jean-Clarence Lambert. Published by Éditions Cercle d'Art.  Constant's New Babylon, The Hyper-architecture of Desire. Written by Mark Wigley and Published by 010 Publishers. 

Extensive academic overview of the role Constant played in the Cobra-movement and of his position in modern European art by Marcel Hummelink.  

Catalogue with the exhibition Cobra et son héritage at Salon Triptyque d'Angers in 2002.

Catalogue of the exhibition at Platform 5 at the Documenta 11 in Kassel in 2002.

An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

Mark Rappolt on two visions of urban life for the 21st century, published in the Contemporary on 07-2002.

On Constant's development after his New Babylon project in AA files 44.