Architectuur voor een arbeidsvrij bestaan

2002
CID: 2344
Interview with Constant in an appendix in magazine ELLE WONEN nr. 74, October 2002. The appendix is produced by Centraal Museum Utrecht on the occasion of the exhibition Ideaal! Wonen.

Werk Constant gestolen

2002
CID: 7037
Small announcement about the theft of a watercolour from Galerie Delaive in 2002.

Cobra Museum koopt Constants

2002
CID: 6967
Cobra Museum buys three of Constant's paintings.

The Playful City

2002
CID: 2829
Review of the book Constant, New Babylon, una città nomade by Franceso Careri.

Ik wil de schilderkunst redden

2002
CID: 6533
Article in PS van de week on his exhibition at the Documenta in Kassel in 2002. Quote of Constant on conceptual art: I find it [conceptual art] highly curious. I'm happy my mother did not say I'm not cooking tonight, I'll let you read the recipe.

Weggepoetst

2002
CID: 6922
Article in HP De Tijd, on the sale of the Stuijvenberg collection.

Constant Nieuwenhuys Bij de voorplaat

2002
CID: 6534
Interview in a local magazine of the Nieuwmarkt neighbourhood in Amsterdam OpNieuw, 2002.

AA Files 41

2002
CID: 7100
Article by Simon Sadler, in which he analyses the following three books: Yona Friedman: Structures Servicing the Unpredictable. Edited by Sabine Lebesque & Helene Fentener van Vlissingen. Published by Netherlands Architecture Institute.  New Babylon: Constant, art et utopie. Edited by Jean-Clarence Lambert. Published by Éditions Cercle d'Art.  Constant's New Babylon, The Hyper-architecture of Desire. Written by Mark Wigley and Published by 010 Publishers. 

Après nous la liberté

2002
CID: 2255
Extensive academic overview of the role Constant played in the Cobra-movement and of his position in modern European art by Marcel Hummelink.  

Cobra et son héritage

2002
CID: 3214
Catalogue with the exhibition Cobra et son héritage at Salon Triptyque d'Angers in 2002.

Documenta 11_Platform 5

2002
CID: 2806
Catalogue of the exhibition at Platform 5 at the Documenta 11 in Kassel in 2002.

Schilderijen Constant teruggekocht

2002
CID: 6993
An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

Schilderijen Constant teruggekocht

2002
CID: 6993
An announcement in Het Parool about the purchase of the paintings De redenaar, 1949 en De rode vuist, 1952 by the Cobra Museum of Modern Art, Amstelveen.

Urban Spectacle

2002
CID: 7130
Mark Rappolt on two visions of urban life for the 21st century, published in the Contemporary on 07-2002.

No more theory; nothing but practice. Constant, after New Babylon

2001
CID: 1984
On Constant's development after his New Babylon project in AA files 44.

The Amsterdam Studio

2001
CID: 1983
Translation from French to English of the interview in the book Atelier Amsterdam.

Les "gros plaisirs" du peintre Constant

2001
CID: 6920
Review on Constant's exhibition Constant, une rétrospective, on view at Musée Picasso in Antibes, France.

Beeldenstorm

2001
CID: 2529

AA files 44

2001
CID: 7853
AA files is the Architectural Association School of Architecture's journal of record. This 44th edition features the text "No more theory; nothing but practice: Constant after New Babylon" by Mark Rappolt, which serves as an introduction to a recorded conversation between Constant and Jean-Clarence Lambert about how Constant's later paintings grew out of his New Babylon project ("The Amsterdam Studio: A conversation between Constant and Jean-Clarence Lambert").

Cobra | De weg naar spontaniteit

2001
CID: 3054
5th edition of Dr. Willemijn Stokvis' thesis, Cobra 1948-1951. Terug naar de bronnen van kunst en leven, from 1973.

Constant, Une rétrospective

2001
CID: 58
The catalogue for the oeuvre exhibition at the musée Picasso Antibes in 2001

Constant. New Babylon | una città nomade

2001
CID: 470
Universale di architettura. Collana fondata da Bruno Zevi

H X B X D: Unlocked No [1]

2001
CID: 7787
Unlocked No [1] is a first step towards unlocking the Rabobank Art Collection. The book focuses on the artists who introduce us to a unique vision through their work. Art critic Angelique Spaninks spoke with Ger van Elk, Henk Visch and Erzsébet Baerveldt. Poet Esther Jansma wrote a personal account of her visit to the collection.