Bibliography

This topical examination of a key moment in modern architecture pointedly and critically evaluates the role of the neo-avant - garde in today's world. International in scope and exhaustive in detail, the book explores important exponents of "visionary" and "utopian" architecture in the closing juncture of the modernist era, coinciding with the cultural upheavals and social transformations of the 1960s and 1970s.

Article in The Times about Sir Charles Cockerell. Reference to Constant in paragraph nine.

Review of the exhibition Constant, Een keuze uit het grafisch oeuvre at the Cobra Museum in Amstelveen.

Daily talkshow with Frit Barend and Henk van Dorp with regular guest and columnist Jan Mulder. In this epsisode:- John van den Heuvel, crime journalist;- Constant Nieuwenhuys, painter;- Trudy van der Horst, wife of Constant;- Frits Wester, political reporter.With a musical performance by Katie Melua.

Daily news program by the networks EO, KRO and NCRV. Presented by Fons de Poel. Aired till September 3, 2010. Subjects of this episode:1. critisism on Pieter Baan Centrum;2. the opening of the exhibition Constant. Een keuze uit het grafisch oeuvre at the Cobra Museum of Modern Art, February 27 till April 15, 2004-Constant Nieuwenhuys3. domestic abuse of women in Turkey (partly BLOCKED).

Announcement of the exhibition Constant Graveur at the Cobra Museum of Modern Art Amstelveen.

Essay by Julie Nichols for Graduate Journal of Asia-Pacific Studies (4:2) 2004, pp 29-52

Interview with Constant regarding his exhibition Constant | Een keuze uit het grafisch oeuvre at Cobra Museum voor Moderne Kunst.

Catalogue for the exhibition ArchiSculpture (ArchiSkulptur in German) at Fondation Beyeler (Riehen, CH) from 3 October 2004 - 30 January 2005, Guggenheim Museum Bilbao (ES) from 28 October 2005 - 19 February 2006, and at Kunstmuseum Wolfsburg (DE) from 1 March - 10 September 2006. 

The book was presented at the exhibition Constant, graficus at the Cobra museum of modern art in Amstelveen from February 27th to April 15th, 2004.

The book was presented at the exhibition Constant, graficus at the Cobra museum of modern art in Amstelveen from February 27th to April 15th, 2004.

Catalog with the travelling exhibition, which ran from April 30, 2004 till April 9, 2005 at Northern Gallery for Contemporary Art, Sunderland, The Lowry, Salford, New Art Gallery, Walsall and Harris Museum and Art Gallery, Preston. We do not know if the collage Gezicht op New Babylonische sectoren [1971] was shown in the exhibition.

Announcement of the exhibition Constant. Een keuze uit het grafisch oeuvre at Cobra Museum voor Moderne Kunst Amstelveen.

Catalogue for the exhibition Out of Africa: Dutch Primitivism in the 20th Century  held from 11 december 2004 till 6 March 2005 at Museum Cobra (Amstelveen, NL).

First edition in 1979. Constant: p. 221, 223, 272, 273, 275

Voor Verf interviewde schrijver/journalist Hans den Hartog Jager veertien van de belangrijkste Nederlandse schilders aan het begin van de 21e eeuw, onder wie Constant, Marlene Dumas, Ger van Elk, Daan van Golden en Robert Zandvliet. Het uitgangspunt is anders dan gebruikelijk in de literatuur over schilderkunst. Niet langer staat het idee achter het werk voorop, maar juist de manier waarop het doek totstandkomt. Hoe kiezen schilders hun verf? In welke traditie zien deze kunstenaars zichzelf? Wat inspireert hen? En wanneer besluiten ze dat een schilderij 'af' is?

A review of the British media following the English and Irish tour of the exhibition Cobra | Copenhagen, Brussels, Amsterdam in 2003.

Radio program Wim Brands interviews historian Marcel Hummelink about his new book, Apres nous la liberté, about artist Constant Nieuwenhuys. In the first hour of the program. The interview with Marcel Hummelink is in Dutch and starts at: 00:11:59-00:44:00 min 

Review of a retrospective Cobra exhibition and Tail That Wags the Dog at IMMA, Dublin, Ireland. 

Interview with Constant for the Beeldrecht newsletter. 

Positive review of the COBRA exhibition at the Baltic, Gateshead.

Article in The Times on Adolfo Natalini and Superstudio. The article references Constant in paragraph eight.

A critical review of the COBRA exhibition at the Baltic Centre for Contemporary Art, Gateshead, UK.